Friederike Roth - Concertos for Clarinet & Orch - SUPER-AUDIO CD [Super Audio CD (SACD)]

Once again the Berolina Ensemble has a sensational surprise in store. The Clarinet Quintet and Sonata for Piano and Clarinet penned by Hans Weisse are heard on this in what may be first-ever performances. In any case, this is what the manuscripts suggest they were first rendered playable by the musical discovery team led by the clarinetist Friederike Roth, and their work paid off! Delightful late Romanticism meets ambitious tonality in this music displaying it's own unique appeal. Hardly anything is known about the composer. Born in Vienna to an actor, Hans Weisse was a pupil of Heinrich Schenker, whose radical approach to music theory won him many adherents particularly in the United States. In 1930 Weisse himself accepted an appointment in New York, where he died mysteriously in 1940 at the early age of 48. Weisse did most of his composing during his years in Vienna, before Wilhelm Furtwangler called him to Berlin for instruction in Schenker's compositional methods. The contrast between Weisse's perspicacity in music theory and the obscurity of his writing practice is striking. Even his meticulous mentor Schenker felt that many a piece of his was too intellectual. However, the performances by the Berolina Ensemble create just the opposite impression the music shines and vibrates with intensity, the harmonies continuing within the bounds of tonality are taken to the bursting point, and on this this rewarding new discovery also offers sumptuous listening pleasure.

Grigory Frid's politically and morally ambitious operas have made him known to a broader public even outside his native Russia. His chamber music is not so popular, but it too holds discoveries in store, as John Finucane and Elisaveta Blumina impressively demonstrate on this recording premiere of his two clarinet sonatas. Musical wit, tonal beauty, and virtuosity in the treatment of tonality and instrumentation reveal a compositional talent stimulated by exchanges with the greatest of Frid's times. This did not come about by mere chance. When Frid established the Moscow Youth Music Club rather precisely midway through his long life of almost a hundred years, the beneficial effect of this cultural classical oasis in the midst of the oppressive Soviet present could not yet by foreseen. Schnittke, Gubaildulina, Denisov, and Kancheli had their works performed there, and world stars of the present and future like Shostakovich, Gilels, Bashmet, and Richter were guests. Even when he was a boy, Frid was exposed to this special atmosphere Nathan Milstein and Vladimir Horowitz played duets and his parents home. Elisaveta Blumina is especially fond of much to little known music from the twentieth and twenty-first centuries. She received an ECHO Klassik award for her trio recording with works by Francaix, Poulenc, and Previn. With John Finucane she now continues this commitment.

Import Hybrid-SACD pressing.