Friedhelm Flamme - Complete Organ Works - SUPER-AUDIO CD [Super Audio CD (SACD)]

Friedhelm Flamme's series featuring organ works of the Northern German Baroque now finds it's logical continuation with Dietrich Buxtehude, the leading master in the discipline of Northern German organ artistry. In order to underscore his special interpretive style, the result of his many decades of occupation with practically the entire Northern German repertoire, Flamme has selected the Treutmann organ in the Grauhof Monastery near Goslar, an instrument that has been preserved largely in it's original form and conveys Buxtehude's innovative, visionary musical artistry in a very different way than the well-known Schnitger organs in Northern Germany. Each album is designed in the manner of an exciting concert program revealing two things first, the variety of Buxtehude's compositions, which include free pieces and chorale settings to be executed on the manuals or with virtuosic pedal playing and occur in styles ranging from nimble canzonettas and basso ostinato forms filled with gravity to strict textures in »erudite counterpoint«; second, the vast tonal resources of the Treutmann organ, both in the sense of varietas and in view of the line of suspense traced by the musical keys. It is thus that Vol. 1 forms the beginning with magnificent works by the most important Baroque master of organ artistry prior to Johann Sebastian Bach and along with him. Owing to it's temperament, the Treutmann organ enables the realization of the stylistically correct rendering of pieces in remote keys, something that would have been impossible on mean-tone instruments.

Burkhard Schmilgun writes InchThe logical continuation of the series InchOrgan Works of the North German Baroque,Inch recorded by Friedhelm Flamme, is the works of Dietrich Buxtehude, the most important master of North German organ music. In order to underscore the features of his personal style of interpretation, which is the result of decades of study of virtually the entire repertoire of North German music, the incredible and mostly intact original Treutmann organ in the Grauhof monastery near Goslar was selected. This organ can produce Buxtehude's innovative, visionary sound artistry in a very different way than the well-known Schnitger organs in North Germany. Each album is set up as an exciting concert program which shows the diversity of Buxtehude's compositions - free-form and chorale-based works, works for manuals only or with virtuosic pedal playing, and whose styles vary from lighter canzonettas, weighty basso ostinato forms to strict movements in »erudite counterpoint«. This recording also shows some of the infinite timbral possibilities of the Treutmann organ, both in their variety but also the tension felt in the different tonalities. Vol. II thus continues this series of recordings with representative works of the greatest masters of organ music before Johann Sebastian Bach as well as his contemporaries. The Treutmann organ, thanks to it's tuning, also allows for a faithful stylistic rendering of pieces in distant tonalities, which would be impossible on instruments with mean tone tuning.

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