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Baby Man, the new album by Fruit Bats, is like nothing else in Grammy-nominated songwriter Eric D. Johnson's catalog. Little in the arc of his career-including Fruit Bats' evolution from home recording project to rollicking roadshow, his solo output, and his work with Bonny Light Horseman-points the way to this album, in which his only accompaniment, aside from the occasional blush of synthesizer, is a guitar, banjo, or piano. Save for producer Thom Monahan, reuniting with Johnson for the first time since Fruit Bats' 2019 breakthrough Gold Past Life, it's just Johnson in the room, meaning that when the turntable's needle meets Baby Man's groove, it's just him and the listener, mutually in for a reckoning. Monahan's return to the booth was vital having mapped the outer limits of Eric D. Johnson's musical imagination, nobody was better equipped for the deepest trip yet into his soul. Baby Man is an intimate album, but rather than deliver a stripped-down or back-to-basics approach to the Fruit Bats sound, it's introspection is rendered at epic scale. InchIt's minimalist-maximalism,Inch Johnson says of his and Monahan's approach. InchThere are fewer tracks on each song-four or five at most compared to recent albums where there'd maybe be five tracks on a song just for synths-but this is me at my most hi-fi.Inch What he and Monahan do to striking effect on Baby Man is explore the full power and range of his voice. Pushed forward in the mix, Johnson's vocals-a showstopping element of his craft- have new purpose and depth on Baby Man, breathing life into some of the rawest songs he's ever written into being, actively finding the heart in the lyrics sometimes just hours after they'd been penned. A text sent to Monahan one morning-InchI'm just trying to write a couple more songsInch-later becomes the first line of InchPuddle Jumper,Inch a finger-picked heartbreaker whose only

Minecraft - Volume Alpha is the work of German composer and musician Daniel Rosenfeld. Using C418 as his moniker, Rosenfeld crafted the sweeping soundtrack and vibrant sound design which helped breathe life into Minecraft's voxel-based universe. Fans and critics were universally enamored with his beatless, nuanced electronic pieces upon . Popular gaming site Kotaku named it among The Best Game Music of 2011, calling the music Inchremarkably soothing,Inch and The Guardian has compared Rosenfeld's delicate piano and sparse ambient motifs to legendary artists Erik Satie and Brian Eno. In an interview feature with C418, Polygon distilled Volume Alpha to it's essence InchIt's not bound by the retro aesthetic of Minecraft's graphics. It transcends them. The album is an attempt to uplift the combined game/music experience into the sublime.Inch Album Tracks 1. Subwoofer Lullaby 2. Living Mice 3. Moog City 4. Haggstrom 5. Minecraft 6. Clark 7. Mice on Venus 8. Dry Hands 9. Wet Hands 10. Sweden 11. Cat 12. Danny

Limited vinyl LP repressing in gatefold jacket. Off the Wall is the fifth solo studio album by Michael Jackson. It was released on August 10, 1979, following Jackson's critically well-received film performance in The Wiz. While working on that project, Jackson and Quincy Jones had become friends, and Jones agreed to work with Jackson on his next studio album. Recording sessions took place between December 1978 and June 1979 at Allen Zentz Recording, Westlake Recording Studios, and Cherokee Studios in Los Angeles, California. Jackson collaborated with a number of other writers and performers such as Paul McCartney, Stevie Wonder and Rod Temperton. Five singles were released from the album. It was his first solo under Epic Records, the tag he would record on until his death roughly 30 years later. Album Tracks 1. Don't Stop 'Til You Get Enough 2. Rock with You 3. Workin' Day and Night 4. Get on the Floor 1. Off the Wall 2. Girlfriend 3. She's Out of My Life 4. I Can't Help It 5. It's the Falling in Love 6. Burn This Disco Out

Limited vinyl LP repressing in gatefold jacket. Thriller is the sixth solo studio album by Michael Jackson. It was released by Epic Records on November 30, 1982, as the follow-up to Jackson's critically and commercially successful 1979 album Off The Wall. Thriller explores similar genres to those of Off The Wall, including pop, post-disco, rock and funk. Recording sessions took place on April to November 1982 at Westlake Recording Studios in Los Angeles with a production budget of $750, 000, assisted by producer Quincy Jones. Seven singles were released from the album, all of which reached the Top 10 on the Billboard Hot 100. In just over a year, Thriller became-and currently remains-the best-selling album of all time, with estimated sales of 65 million copies worldwide. It has become the first album ever to be certified 32 times multi-platinum for U.S. sales, marking more than 32 million sales shipped. The album won a record-breaking eight Grammy Awards in 1984, including for Album of the Year. Album Tracks 1. Wanna Be Startin' Somethin' Jackson, Michael 6 03 2. Baby Be Mine Jackson, Michael 4 20 3. The Girl Is Mine Jackson, Michael with Paul McCartney 3 42 4. Thriller Jackson, Michael 5 58 1. Beat It (Single Version) Jackson, Michael 4 18 2. Billie Jean (Single Version) Jackson, Michael 4 53 3. Human Nature Jackson, Michael 4 05 4. P.Y.T. (Pretty Young Thing) Jackson, Michael 3 59 5. The Lady in My Life Jackson, Michael 4 57
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