Fully Celebrated Orchestra - Marriage Of Heaven and Earth - COMPACT DISCS [CD]
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Fully Celebrated Orchestra - Marriage Of Heaven and Earth [COMPACT DISCS] date 05/14/2002
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- GenreRockDescriptionFully Celebrated Orchestra - Marriage Of Heaven and Earth [COMPACT DISCS] date 05/14/2002ArtistFully Celebrated OrchestraTitleMarriage Of Heaven and EarthFormatCDLabelInnova Records
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Fully Celebrated Orchestra - Marriage Of Heaven and Earth [COMPACT DISCS] date 05/14/2002

The combined forces of Steve Davis, Kavus Torabi (Gong/ Cardiacs/ Knifeworld/ Guapo) and Michael J. York (Coil/Teleplasmiste/Guapo) have arrived at no less than a modular driven kosmische colossus of transcendent power enough to drive all talk of green baize firmly into the blue yonder.With Davis' modular geometry and ambient structures weaving with Torabi's keen and skewed sense of melody and York's various gifts for pipes, drones and fevered abstract - the result is a beguiling tapestry as likely to remind listeners of the countercultural benchmarks of Terry Riley, Cluster and Fripp/Eno as the latervortex-voyages of Emeralds and Seefeel. InchThe overall sound was pretty accidentalInch reckons Kavus. InchI certainly didn't expect the music to sound so ecstatic and positive, Without wanting to puncture the mystery, there really felt like an element of magic at play in making this album. For the most part it was incredibly effortlessInch It was never any secret that Davis - even at the peak of his household name status in the 1980s - was as happy putting a needle on a vinyl record as anything else involving a cue. What's more - his music obsession took on new bounds after his retirement from sport in 2016, with his DJ partnership with Torabi taking him to festivals and clubs for man y a head-spinning rampage, in which the wide-eyed assembled would be as likely to hear Autechre as Black Sabbath.InchIn twenty years of making records it's certainly been the easiest and most enjoyable to makeInch reflects Kavus. InchNow, this may have been partly due to us having no preconceptions or expectations but it wasn't just that. There was absolutely no conflict, and we spent a lot of time together working on it - in my experience that's a total f*king miracleInch InchThe personal journey I've been on since January 2nd 2018 with Kavus and Mike has been surrealInch says Steve. InchP
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Even among innovative geniuses, Russian physicist Leon Theremin is a giant. His work in electromagnetic fields and radio frequency lead him to invent his namesake instrument, the theremin, in 1920 and thereby usher a new era in electronic musical instruments. A century later, this album presents new works for theremin and piano by Canadian composer Aleks Schürmer. These works contain elements of 18th and 19th century forms and performance practices, popular music tropes and post-20th century tonalism, and while they are often harmonically challenging, the music can still feel comfortable and familiar to the uninitiated listener. Many of the album's works reflect on the optimism of the early 20th century's imagined utopic future and where we've ended up a hundred years later. Aleks Schürmer is a Canadian composer, multi-instrumentalist, educator, and artist who merges disparate genres, historical periods and cultural interests in his work, exploring the underlying sameness of all things. An Associate Composer of the Canadian Music Centre (CMC), Aleks holds a Masters degree in Historical Performance from the Schulich School of Music at McGill and studied modern flute with Patrick Gallois. His compositions have been called Inchmajor discoveriesInch (Stephen Ritter, American Record Guide) and he has been called Inchparticularly brilliantInch (Claude Gingras, La Presse), and a Inchyoung visionaryInch (Marilis Cardinal, Nightlife Magazine). Grégoire Blanc is an emerging French musician among the few virtuosos of the theremin today. Following engineering studies at the École Nationale Supérieure d'Arts et Métiers, Grégoire completed his Masters degree in Sciences and Technologie for Music at the Institut de Recherchre et de Coordination Acoustique/Musique (IRCAM) and his ongoing artistic research centers around expressiveness in electronic music, with classical music as a st
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