Funeral Oration - Eliphas Love - VINYL LP
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Such a long timespan of inactivity brought undeniable changes to the band's sound, the main difference being the way chosen by The Old Nick to recite his verses English and Latin were the languages spoken on Sursum Luna, whilst Eliphas Love is mainly written in Italian. Along with vocals, keyboards are extremely prominent, with a very occult-ish sound, reminding of classic Italian horror movies soundtracks. Despite such differences, though, Funeral Oration is still an old-school black metal band. Riffs are still ice-cold. Up tempos are still the only chance. The occult is still their aim. And should be yours too.
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VINYLSpecifications
- GenreHeavy MetalDescriptionSuch a long timespan of inactivity brought undeniable changes to the band's sound, the main difference being the way chosen by The Old Nick to recite his verses English and Latin were the languages spoken on Sursum Luna, whilst Eliphas Love is mainly written in Italian. Along with vocals, keyboards are extremely prominent, with a very occult-ish sound, reminding of classic Italian horror movies soundtracks. Despite such differences, though, Funeral Oration is still an old-school black metal band. Riffs are still ice-cold. Up tempos are still the only chance. The occult is still their aim. And should be yours too.ArtistFuneral OrationTitleEliphas LoveFormatVINYLLabelAvantgarde Music
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Such a long timespan of inactivity brought undeniable changes to the band's sound, the main difference being the way chosen by The Old Nick to recite his verses English and Latin were the languages spoken on Sursum Luna, whilst Eliphas Love is mainly written in Italian. Along with vocals, keyboards are extremely prominent, with a very occult-ish sound, reminding of classic Italian horror movies soundtracks. Despite such differences, though, Funeral Oration is still an old-school black metal band. Riffs are still ice-cold. Up tempos are still the only chance. The occult is still their aim. And should be yours too.

Violet Vinyl, 140gram trans-violet 12Inch vinyl; Black canvas tote bag; Friendship bracelet; A2 Poster; A5 Print. Arlo Parks sophomore album, My Soft Machine, is a deeply personal body of work; a narration of Parks' experiences as she navigates her 20's and the growth intertwined. It follows her highly-praised debut album, Collapsed in Sunbeams, which received two GRAMMY nominations for Best New Artist and Best Alternative Music Album, won the BRIT Award for Best New Artist, received the Honda Mercury Prize, won the BBC Introducing Artist Of The Year Award, was nominated for Breakthrough International Act at the BET Awards and reached the top 3 on the UK Album Charts. Parks shares about how the new album and album title came to fruition InchThe world/our view of it is peppered by the biggest things we experience - our traumas, upbringing, vulnerabilities almost like visual snow. This record is life through my lens, through my body - the mid 20s anxiety, the substance abuse of friends around me, the viscera of being in love for the first time, navigating PTSD and grief and self-sabotage and joy, moving through worlds with wonder and sensitivity- what it's like to be trapped in this particular body. There is a quote from a Joanna Hogg film called The Souvenir, it's an A24 semi-autobiographical film with Tilda Swinton - it recounts a young film student falling in love with an older, charismatic man then being drawn into his addiction - in an early scene he's explaining why people watch films - 'we don't want to see life as it is played out we want to see life as it is experienced in this soft machine.' So, there we have it... My Soft Machine.Inch The album was recorded between London and Los Angeles throughout 2021/2022. Arlo worked alongside producers including Paul Epworth, Ariel Rechtshaid, Romil Hemnani (Brockhampton), Frank Ocean-collaborator Buddy Ross, and Carter
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Sandi and the Accents was the premier rock 'n' roll band of the mid-sixties in San Diego. Their first single, Better Watch Out Boy, climbed to the top ten in San Diego and top 20 in LA in 1964, and was followed by three top 20 singles in the region. They appeared on television shows like those of Lloyd Thaxton and Regis Philbin, and routinely sold out the largest venues in Southern California. They opened for the Rolling Stones, the Byrds, Herman's Hermits, the Righteous Brothers, and the Coasters, and according to a regional radio station poll were more popular than any band except the Beatles. This CD is a compilation of their hits together with live recordings of their fans' favorites. Members include Tony Johnson, Sandi Rouse & Gabe Lapano.

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