Gabriel Saloman - Movement Building Vol. 2 - VINYL LP

Shelter Press has present the third and final volume of Gabriel Saloman's Movement Building series. For fans of Saloman's post-Yellow Swans work - an already dense catalog of darkly cinematic compositions mostly conceived as accompaniment to some of Vancouver's edgier contemporary dance companies - Movement Building Vol. III is not only a much anticipated conclusion to this trilogy, it is the most fully realized album in years. Whereas Movement Building Vol. I (SHELTER 051LP, 2014) and Vol. II (SHELTER 063LP, 2015) acted primarily as documentation of time-based artworks, Movement Building Vol. III offers a more coherent and narratively rich album that will appeal to admirers of Soldier's Requiem (MIA 026CD/LP, 2013). Listeners will recognize the emotive bowed strings, militant percussion, and searing guitar eruptions that evoked memory and trauma in that previous album. Joining this pallet are other familiar Saloman sounds shoegaze washes of distorted guitar, minimalist piano attacks, melancholic appregiated melodies, and a patina of harsh noise. Added to this is a more 21st century approach to drums and bass, perhaps an effect of his collaborations with producer Michael Red in their dub ambient project Chambers. Saloman's music has never sat comfortably in any genre, sharing with a select cohort of other artists (Stephen O'Malley, Lawrence English, Grouper, Kreng, Tim Hecker, among others) an ambiguous position between Inchmodern classicalInch, Inchelectronic musicInch, and the more outer limits of metal. Movement Building Vol. III doesn't clarify as much as it expands Saloman's oeuvre further into an idiosyncratic musical no-man's land that fails to be faithful to any popular musical trend - contemporary, retro, or futurist. Movement Building Vol. III's themes are taken from the dance it was composed for, 2015's What Belongs To You, created by long-time collaborato

Gabriel Saloman has developed a reputation for releasing penetrating works of haunting beauty in his new role as a solo performer and composer. Known for his part in the seminal electronic-noise duo Yellow Swans (alongside Pete Swanson), Saloman has taken the sweeping drones and fried electricity of his former band and embedded them within an expanding palette of bowed strings, martial percussion and resonant piano. The majority of his work to date has been developed as music for contemporary dance, exemplified by two solo albums with Miasmah, 2012's melancholic Adhere (MIA 021 LP) and last year's celebrated ode to mud and decay Soldier's Requiem (MIA 026 CD/LP). As he continues to prolifically produce music for dance, Saloman has developed a new series with Shelter Press to make these works available Movement Building. The first of two volumes to be released individually on vinyl and together on CD, InchThe Disciplined BodyInch is a 34-minute work that moves through ghostly minimalist drones, poly-vocal drumming and culminates in an aching climb through sheets of shimmering guitar chords before erupting in a violent spurt of harsh noise. While at it's climax it may be evocative of transcendental string manglers ranging from My Bloody Valentine to Godspeed You! Black Emperor, in it's more subtle moments it wades through the kind of blackened water that suggests the outer boundaries of ambient metal, or the ghostly remnants of a cassette dub of beatless electronics. Composed for Daisy Karen Thompson's InchRe-Marks on Source Material,Inch the music shares that dance's Foucault-influenced questioning of the limits imposed on our bodies by technology and labor, reaching for an ecstatic escape from discipline and control. Listeners may want to reach for the same - to do so we suggest they play this recording very, very loud. Mastered and cut by Helmut Erler at Dub plates

Antropomorphia are back! Six years after their acclaimed studio full-length InchMerciless SavageryInch (2019), the Dutch death dealers return with their most brutal and dark record so far that is aptly entitled InchDevoid of LightInch. When Antropomorphia created InchDevoid of LightInch over a period of two and a half years, they never lost sight of their vision to combine a wide variety of harsh musical textures including fanatical, white-eyed aggression, misanthropic and nihilistic lyrics, and dark emotions such as anger, despair, and pain among many others into dark and oppressive soundscapes. Antropomorphia were originally spawned from the foul stench of death in the Dutch city of Tilburg in 1990. At the time, they were pioneers, which soon turned them into a corner stone of the brutal music scene in the Netherlands. Despite the occasional hiatus, Antropomorphia continuously cemented their status as underground icons with a string of acclaimed releases. Their uncompromising approach and ever expanding vortex of musical textures has brought a continuously growing influx of black metal elements into the musical and visual DNA of the Dutch. Now Antropomorphia are returning with InchDevoid of LightInch to show the world that they are still hungry to push the limits of the death metal scene to new frontiers. Crank the volume up to 10 and let this album rip!