Gary Moore - Back To The Blues - VINYL LP

Songs for anyone who's Inchgoing through daily life feeling like an alien,Inch MGMT draws seasoned fans and new initiates alike into the band's eureka zone, a psychic oasis offering the opposite of dumbed-down (smarted-up?) as sympathetic counsel or support for something like chronic mis-aligned-multiple-reality syndrome, Deja Vu-DO or Modern malaise - whatever you want to call it. With their resplendent third album, Ben and Andrew finally open up the MGMT inner sanctum through a brand-new sound that's about what it's all about Inchsinking in - and forgetting about time.Inch With these ten irreducible new tracks, Andrew and Ben have significantly enhanced the MGMT catalog, definitively shattering any remnants of creative confines or stylistic pigeon holes, while continuing a pattern of naming a record years before new music exists (they'd christened their second album Congratulations before their first, Oracular Spectacular, had even been released). Both minimal and maximal, MGMT is the band's most fully-realized, provocative and accessible collection to-date; a dense swirling force-field of musical energies, once again shoving open the perimeters of pop. Album Tracks 1. Time to Pretend 2. Weekend Wars 3. Youth 4. Electric Feel 5. Kids 6. 4th Dimensional Transition 7. Pieces of What 8. Of Moons, Birds & Monsters 9. Handshake 10. Future Reflections

Limited 180gm vinyl LP pressing. Digitally remastered edition of the second studio album by Metallica, originally released in 1984. The album was recorded in three weeks with producer Flemming Rasmussen at the Sweet Silence Studios in Copenhagen, Denmark. The artwork, based on a concept by the band, depicts an electric chair in the midst of a thunderstorm. The title was taken from a passage in Stephen King's novel The Stand. Although rooted in the thrash metal genre, the album showcased the band's musical maturity and lyrical sophistication. This was partly because bassist Cliff Burton introduced the basics of music theory to the rest of the band and had more input in the songwriting. Instead of relying strictly on fast tempos as on Kill 'Em All, Metallica broadened it's approach by employing acoustic guitars, extended instrumentals, and more complex harmonies. Album Tracks 1. Fight Fire with Fire 2. Ride the Lightning 3. For Whom the Bell Tolls 4. Fade to Black 1. Trapped Under Ice 2. Escape 3. Creeping Death 4. The Call of Ktulu

2015 Sanctuary Records UK repress180g Vinyl LP?Vol. 4 is the point in Black Sabbath's career where the band's legendary drug consumption really starts to make itself felt. And it isn't just in the lyrics, most of which are about the blurry line between reality and illusion. Vol. 4 has all the messiness of a heavy metal Exile on Main St., and if it lacks that album's overall diversity, it does find Sabbath at their most musically varied, pushing to experiment amidst the drug-addled murk. As a result, there are some puzzling choices made here (not least of which is the inclusion of InchFXInch), and the album often contradicts itself. Ozzy Osbourne's wail is becoming more powerful here, taking greater independence from Tony Iommi's guitar riffs, yet his vocals are processed into a nearly textural element on much of side two. Parts of Vol. 4 are as ultra-heavy as Master of Reality, yet the band also takes it's most blatant shots at accessibility to date - and then undercuts that very intent. The effectively concise InchTomorrow's DreamInch has a chorus that could almost be called radio-ready, were it not for the fact that it only appears once in the entire song. InchSt. Vitus DanceInch is surprisingly upbeat, yet the distant-sounding vocals don't really register. The notorious piano-and-Mellotron ballad InchChangesInch ultimately fails not because of it's change-of-pace mood, but more for a raft of the most horrendously clich?d rhymes this side of Inchmoon-June.InchEven the crushing InchSupernautInch - perhaps the heaviest single track in the Sabbath catalog - sticks a funky, almost danceable acoustic breakdown smack in the middle. Besides InchSupernaut,Inch the core of Vol. 4 lies in the midtempo cocaine ode InchSnowblind,Inch which was originally slated to be the album's title track until the record company got cold feet, and the multi-sectioned prog-leaning opener, Inc