Geneva Lewis - Grace Williams: Violin Concerto, Elegy for string orchestra, & Sinfonia Concertante - COMPACT DISCS [CD]
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About This Item
- Details
- Genre: Classical
- Description: 'When I'm composing, not only have I to create music, I must also search for the best way of putting it across. It means being on the alert the whole time; writing - then criticizing what I've written - and if it won't do, scrap it and start again - more criticism - and so on until I've done everything within my power to make the music live and flow naturally'. These insights from Grace Williams into her approach to the compositional process show her strong desire to communicate fluently and sincerely with her listeners. Also evident from this quotation is her professionalism, technical integrity and formidable capacity for self-criticism. She held herself and her art to the highest standards, withdrawing and destroying scores which failed to live up to her ideals. It can be inferred from this that she regarded the works which survived elimination as worthy of her musical legacy.
- Artist: Geneva Lewis
- Title: Grace Williams: Violin Concerto, Elegy for string orchestra, & Sinfonia Concertante
- Format: CD
- Label: Lyrita
- Release Date: 11/07/2025
- Genre: Classical
- Number Of Discs: 1
- Other
- Product Name: Geneva Lewis - Grace Williams: Violin Concerto, Elegy for string orchestra, & Sinfonia Concertante - COMPACT DISCS
- UPC: 5020926044723
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'When I'm composing, not only have I to create music, I must also search for the best way of putting it across. It means being on the alert the whole time; writing - then criticizing what I've written - and if it won't do, scrap it and start again - more criticism - and so on until I've done everything within my power to make the music live and flow naturally'. These insights from Grace Williams into her approach to the compositional process show her strong desire to communicate fluently and sincerely with her listeners. Also evident from this quotation is her professionalism, technical integrity and formidable capacity for self-criticism. She held herself and her art to the highest standards, withdrawing and destroying scores which failed to live up to her ideals. It can be inferred from this that she regarded the works which survived elimination as worthy of her musical legacy.

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