Gg Allin - Always Was, Is And Always Shall Be - VINYL LP

Vinyl LP pressing. Gg Allin singles compilation reissued on vinyl. If you had an immense amount of courage (as well as a strong stomach), then you may have been 'lucky' to have experienced G.G. Allin the way he was meant to be - on-stage. In the studio, G.G.'s recordings more times than not did not match the fire of his live performance (and after watching some of his brutal shows on video, how could they'), as they were issued on a variety of little-known indie labels, and of varying quality. One of the first compilations to truly pull tracks from throughout G.G.'s controversial career is 2004's Expose Yourself The Singles Collection 1977-1991. A few selections have been impossible to find for years, such as the early G.G. single InchLove TunnelInch b/w InchDevil's Triangle,Inch which makes it's first appearance in years here. Elsewhere, you'll find tracks that have appeared elsewhere - InchSnakeman's Dance,Inch InchWhen I Die,Inch InchGypsy Motherfucker,Inch etc. - but are among G.G.'s best.

Brought up in the Roman Catholic faith, which he abandoned in 1917 following the death of his father, Poulenc returned to the Church in 1936 after the death of his close friend and fellow composer Pierre-Octave Ferroud. Together these events caused a spiritual crisis in Poulenc’s life which led to a series of compositions for chorus. The powerful Mass in G major, dedicated to the memory of his father, is notable for it's daring use of tonality, though the playfulness of Poulenc’s ‘Les Six’ period is not absent. In the 7 Chansons, set to surrealist texts, and in the 2 sets of Motets – both very personal and penitential – Poulencgenerates a huge range of emotion.

Vinyl LP pressing. You Give Love a Bad Name is the fourth studio album released by punk rock musician Gg Allin, recorded with his backing band the Holy Men. The album was the first to fully mark a distinct change in his vocal tone, which by this time began to take on a slurred and gravelly characteristic, and increasing usage of shock rock lyrical content.