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Gian Maria Matteucci - Al Telaio Del Tempo - COMPACT DISCS [CD]

SKU: 10632009

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A solo album for clarinet inevitably becomes a test on the clarinet, on it's expressive power andon the musician's mastery in playing it. Especially if the musician plays a contemporary repertoirethat is made up of works that follow two different visions. One pays an obsessive attention to the peculiar features of the instrument, the other is apparently more indifferent to the technical limits of execution of the musical score. With his album Gian Maria Matteucci aims to unify the two visions trying to perform the score pointing out the clarinet related features. Adopting this approach of playing highlighting the role of the clarinet, in der Partitur, is for the listener an unusual and moving journey up to the spiral staircase of what the essence of the clarinet is. Let's analyse in detail all the different stages of the experience we go through listening to Matteucci's album InchAl telaio del tempoInch, where the game of implicit and explicit time, of qualitative and quantitative time, of subjective and objective time produces a large amount of moments that make it everlasting.

Specifications

  • Genre
    Classical
    Description
    A solo album for clarinet inevitably becomes a test on the clarinet, on it's expressive power andon the musician's mastery in playing it. Especially if the musician plays a contemporary repertoirethat is made up of works that follow two different visions. One pays an obsessive attention to the peculiar features of the instrument, the other is apparently more indifferent to the technical limits of execution of the musical score. With his album Gian Maria Matteucci aims to unify the two visions trying to perform the score pointing out the clarinet related features. Adopting this approach of playing highlighting the role of the clarinet, in der Partitur, is for the listener an unusual and moving journey up to the spiral staircase of what the essence of the clarinet is. Let's analyse in detail all the different stages of the experience we go through listening to Matteucci's album InchAl telaio del tempoInch, where the game of implicit and explicit time, of qualitative and quantitative time, of subjective and objective time produces a large amount of moments that make it everlasting.
    Artist
    Gian Maria Matteucci
    Title
    Al Telaio Del Tempo
    Format
    CD
    Label
    Stradivarius
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Gian Maria Matteucci - Al Telaio Del Tempo   - COMPACT DISCS [CD]
Gian Maria Matteucci - Al Telaio Del Tempo - COMPACT DISCS [CD]

A solo album for clarinet inevitably becomes a test on the clarinet, on it's expressive power andon the musician's mastery in playing it. Especially if the musician plays a contemporary repertoirethat is made up of works that follow two different visions. One pays an obsessive attention to the peculiar features of the instrument, the other is apparently more indifferent to the technical limits of execution of the musical score. With his album Gian Maria Matteucci aims to unify the two visions trying to perform the score pointing out the clarinet related features. Adopting this approach of playing highlighting the role of the clarinet, in der Partitur, is for the listener an unusual and moving journey up to the spiral staircase of what the essence of the clarinet is. Let's analyse in detail all the different stages of the experience we go through listening to Matteucci's album InchAl telaio del tempoInch, where the game of implicit and explicit time, of qualitative and quantitative time, of subjective and objective time produces a large amount of moments that make it everlasting.

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Stamitz / Meyer / Schlaefli - Clarinet Concertos 3-5   - COMPACT DISCS [CD]

Carl Stamitz's Clarinet Concertos Nos. 3, 4, and 5 (as numbered by Friedrich Carl Kaiser) so far have not been available in a modern critical edition, which means that the recording premiere of these works on this album represents an important contribution to the reception and recognition of this composer. In aesthetic matters as well as in genre history and music history, Stamitz's clarinet concertos are of a significance that is not to be underestimated, and it is also mainly because of them that he continues to be remembered in today's music world. Although musicological research is not yet certain about the precise number of his clarinet concertos, eleven such works in all are assigned to him and are thought to have been composed between 1770 and 1790. Carl Stamitz's compositional treatment of the clarinet demonstrates how he endeavored to exploit in full this instrument's virtuoso side while viewing it primarily as an instrument of song character. He created a particularly highly effective work with his Clarinet Concerto No. 3, which is distinguished by extreme disjunctions and high technical demands. All three concertos are interpreted by Paul Meyer, who numbers among the world's outstanding and most famous clarinetists.

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