Ginevra Petrucci - Ries: Complete Flute Quartets - COMPACT DISCS [CD]
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Ferdinand Ries (1784-1838) is still best known for the early period in his career when he studied with Beethoven and then became his secretary; copying scores and handling correspondence for a composer whose relationship with the outside world only became more unpredictable with the onset of deafness.However, Ries (like his master, born in Bonn) fled Vienna in 1807 and thereafter embarked on a well-travelled career - in Paris, then Vienna again, venturing as far as St Petersburg and London, before settling in Frankfurt. Within a prolific output, he wrote 30 separate works scored for a solo flute, almost all of which date from his period in London (1813-24), where he won a reputation as a piano teacher to the well-to-do while producing his own music for London's vibrant concert life. The three Quartets Op.145 for flute, violin, viola and cello were composed in 1814-15 and published in 1826, while the trio of Quartets WoO35 belong to Ries's later period in Germany. Ries dedicated Op.145 to Charles Aders, a wealthy amateur flautist, who likely commissioned him; there is no sign of the composer 'writing down' to accommodate any limitations in his dedicatee's playing, from the poignant and tumultuous emotions that pervade Quartet No.2, and the vibrant spirit of the finales, such as the Allegro all'espagnola of Quartet No.1.As Ginevra Petrucci remarks in her booklet essay, 'Ries masterfully balances diversity of form with captivating expression. The writing's density and variety are remarkable, marked by thematic abundance, rich modulations, rhythmic contrasts, and variations.' This is true even more of the later Quartets WoO35, which were probably written with the flautist Anton Bernhard Furstenau in mind. The expression is notably more refined and Romantic in spirit than the earlier set, sometimes softer-edged, often with more sophisticated dialogue between flute and stri
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- GenreClassicalDescriptionFerdinand Ries (1784-1838) is still best known for the early period in his career when he studied with Beethoven and then became his secretary; copying scores and handling correspondence for a composer whose relationship with the outside world only became more unpredictable with the onset of deafness.However, Ries (like his master, born in Bonn) fled Vienna in 1807 and thereafter embarked on a well-travelled career - in Paris, then Vienna again, venturing as far as St Petersburg and London, before settling in Frankfurt. Within a prolific output, he wrote 30 separate works scored for a solo flute, almost all of which date from his period in London (1813-24), where he won a reputation as a piano teacher to the well-to-do while producing his own music for London's vibrant concert life. The three Quartets Op.145 for flute, violin, viola and cello were composed in 1814-15 and published in 1826, while the trio of Quartets WoO35 belong to Ries's later period in Germany. Ries dedicated Op.145 to Charles Aders, a wealthy amateur flautist, who likely commissioned him; there is no sign of the composer 'writing down' to accommodate any limitations in his dedicatee's playing, from the poignant and tumultuous emotions that pervade Quartet No.2, and the vibrant spirit of the finales, such as the Allegro all'espagnola of Quartet No.1.As Ginevra Petrucci remarks in her booklet essay, 'Ries masterfully balances diversity of form with captivating expression. The writing's density and variety are remarkable, marked by thematic abundance, rich modulations, rhythmic contrasts, and variations.' This is true even more of the later Quartets WoO35, which were probably written with the flautist Anton Bernhard Furstenau in mind. The expression is notably more refined and Romantic in spirit than the earlier set, sometimes softer-edged, often with more sophisticated dialogue between flute and striArtistGinevra PetrucciTitleRies: Complete Flute QuartetsFormatCDLabelBrilliant Classics
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Ferdinand Ries (1784-1838) is still best known for the early period in his career when he studied with Beethoven and then became his secretary; copying scores and handling correspondence for a composer whose relationship with the outside world only became more unpredictable with the onset of deafness.However, Ries (like his master, born in Bonn) fled Vienna in 1807 and thereafter embarked on a well-travelled career - in Paris, then Vienna again, venturing as far as St Petersburg and London, before settling in Frankfurt. Within a prolific output, he wrote 30 separate works scored for a solo flute, almost all of which date from his period in London (1813-24), where he won a reputation as a piano teacher to the well-to-do while producing his own music for London's vibrant concert life. The three Quartets Op.145 for flute, violin, viola and cello were composed in 1814-15 and published in 1826, while the trio of Quartets WoO35 belong to Ries's later period in Germany. Ries dedicated Op.145 to Charles Aders, a wealthy amateur flautist, who likely commissioned him; there is no sign of the composer 'writing down' to accommodate any limitations in his dedicatee's playing, from the poignant and tumultuous emotions that pervade Quartet No.2, and the vibrant spirit of the finales, such as the Allegro all'espagnola of Quartet No.1.As Ginevra Petrucci remarks in her booklet essay, 'Ries masterfully balances diversity of form with captivating expression. The writing's density and variety are remarkable, marked by thematic abundance, rich modulations, rhythmic contrasts, and variations.' This is true even more of the later Quartets WoO35, which were probably written with the flautist Anton Bernhard Furstenau in mind. The expression is notably more refined and Romantic in spirit than the earlier set, sometimes softer-edged, often with more sophisticated dialogue between flute and stri
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