Giorgio Bernab - Sonatas For Transverse Flute Op.2 - COMPACT DISCS [CD]

Patching, the intimate debut LP from Minnesota-based singer and songwriter runo plum, gracefully captures the contraction, expansion and of an intense period of emotional repair, in soft-edged, radiating indie rock. The record's unbridled sincerity isn't anything new for runo plum, who's been writing and quietly sharing bedroom dispatches of her intricate folk for a half-decade. During the pandemic years, she steadily caught the ears of a widening circle of listeners and began independently releasing a series of singles and EPs, all while cutting her teeth on the live side supporting Searows, Angel Olsen and Hovvdy.

This Vermeer album collects five compositions of five German artists; among them only Hans Werner Henze Sonatina and Paul Hindemith Sonata were enough played. Also an open mind and complete performer as Jean-Pierre Rampal never include them in his wide discography, but Fortner, Henze, Genzmer and Höller Sonatas deserve all our interest and curiosity beginning from Wolfang Fortner Sonata (1974) a musician very important during the second half of XX Century having also a leading role in famous Darmstad Ferienkurse and was the teacher of many German musicians. Not less important Harald Genzmer (1909 - 2007) that was Paul Hindemith student at Berlin Hochschule für Musik. The second Sonata for flute and orchestra was composed in 1952 and it can be seen a work of tonal substantial language and it is articulate in only three movimenti. Born in Bamberg in 1907 Karl Höller from 1933 taught at Munich Academy and from 1938 was at Frankfurt Hochschule für Musik and from 1949 to 1972 taught at Munich Conservatory; his wide production, in many ways inspired by Richard Strauss and Hans Pfiztner includes also two flute and piano Sonatas and the most famous of which is the second Sonata in C major op 55 composed in 1955 very poetic and delicate work that seems have a strong French music influence.

The second volume of the recording of the complete Flute Sonatas by Quantz!Johann Joachim Quantz (1697-1773) was a composer, theorist, flutist and flute maker of great name and fame. Despite being of humble origin he quickly rose to great eminence, becoming a personal friend and court composer of Frederick The Great, living happily at the sumptuous Potsdam court for 32 years, where he produced hundreds of works for the flute, playing them on the specially devised instruments that brought out their particular melodic beauty.Quantz writes about the ideal instrument InchIn general the most pleasing tone quality (sonus) on the flute is that which more nearly resembles a contralto than a soprano, or which imitates the chest tones of the human voice. You must strive as much as possible to acquire the tone quality of those flute players who know how to produce a clear, penetrating, thick, round, masculine, and withal pleasing sound from the instrument.InchBenedek Csalog InchThe present CD series, which seeks to record some 200 extant sonatas, employs modern copies of Quantz's instruments, most at this lower pitch. Through these, together with the applied performance style and technique, we hope to demonstrate convincingly the uniqueness of the Quantz flute, and the necessity of using such instruments to reveal the true character of his music.InchThe Hungarian baroque flute player Benedek Csalog, winner of most prestigious early music competitions, among others Concours Musica Antique, Brugge (Belgium), graduated at the Royal Conservatoire of The Hague in the class of Barthold Kuijken. He has been performing as a soloist in most of the European countries, Japan, North and South America, and the Middle East. He was a guest artist at major festivals, such as Utrecht Early Music Festival, Festival van Vlaanderen, Stockholm Early Music Festival, St. Petersburg Early Music Festi