Goldstein Nemtsov - Coplas Sefardies - COMPACT DISCS [CD]
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The few documents I had collected gave me the feeling that I was standing on the threshold of a wonderful cave, like that of Ali Baba, which I had the opportunity to explore at will. Since that time I must confess that I cannot remember how many people I have contacted, nor communities and towns visited, nor how often I have stayed, for short or longer periods, in five countries of the eastern Mediterranean. My investigations were in no way limited to poetry and song. Folklore constitutes a whole world, and I was anxious in particular to know that of my people. Alberto Hemsi wrote these words just two years before he died, in a retrospective as a foreword to the last and tenth volume of his opus magnum, the collection of works for voice and piano known as Coplas Sefardies. More than fifty years earlier, at the beginning of the 1920s, he had begun to collect examples of the folklore of the Sephardi Jews - Inchhis peopleInch - and to arrange them for concert performance. The present features the world premiere recording of the original version
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- GenreClassicalDescriptionThe few documents I had collected gave me the feeling that I was standing on the threshold of a wonderful cave, like that of Ali Baba, which I had the opportunity to explore at will. Since that time I must confess that I cannot remember how many people I have contacted, nor communities and towns visited, nor how often I have stayed, for short or longer periods, in five countries of the eastern Mediterranean. My investigations were in no way limited to poetry and song. Folklore constitutes a whole world, and I was anxious in particular to know that of my people. Alberto Hemsi wrote these words just two years before he died, in a retrospective as a foreword to the last and tenth volume of his opus magnum, the collection of works for voice and piano known as Coplas Sefardies. More than fifty years earlier, at the beginning of the 1920s, he had begun to collect examples of the folklore of the Sephardi Jews - Inchhis peopleInch - and to arrange them for concert performance. The present features the world premiere recording of the original versionArtistGoldstein NemtsovTitleCoplas SefardiesFormatCDLabelProfil - G Haenssler
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The few documents I had collected gave me the feeling that I was standing on the threshold of a wonderful cave, like that of Ali Baba, which I had the opportunity to explore at will. Since that time I must confess that I cannot remember how many people I have contacted, nor communities and towns visited, nor how often I have stayed, for short or longer periods, in five countries of the eastern Mediterranean. My investigations were in no way limited to poetry and song. Folklore constitutes a whole world, and I was anxious in particular to know that of my people. Alberto Hemsi wrote these words just two years before he died, in a retrospective as a foreword to the last and tenth volume of his opus magnum, the collection of works for voice and piano known as Coplas Sefardies. More than fifty years earlier, at the beginning of the 1920s, he had begun to collect examples of the folklore of the Sephardi Jews - Inchhis peopleInch - and to arrange them for concert performance. The present features the world premiere recording of the original version

Double vinyl LP pressing. 2022 . Big Time is an album about the expansive power of new love, but this brightness and optimism is tempered by a profound and layered sense of loss. During Olsen's process of coming to terms with her queerness and confronting the traumas that had been keeping her from fully accepting herself, she felt it was time to come out to her parents, a hurdle she'd been avoiding for some time. After that tearful but relieving conversation, she celebrated with her partner, their friends, oysters, and wine. Three days later, her father died; his funeral became the occasion for Olsen to introduce her partner to her family. Though she was fearful their presence as a newly out queer couple would be Inchan additional symbol of loss,Inch those days went peacefully, yet only two weeks later Olsen got the call that her mother was in the ER. Hospice came soon after, and a second funeral came quickly on the heels of the first. Another trip back to St. Louis, another grief to face, another deepening and intensification of this still-new love. Three weeks after her mother's funeral she was in the studio, recording this incredibly wise and tender album.
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Alberto Hemsi (1898-1975) was born into a Jewish family in the small city of Cassaba (now Turgutlu) near Smyrna (Izmir) in what was then the Ottoman Empire. The family originated from the Italian city of Livorno and therefore had Italian citizenship. Hemsi collected 232 songs in all and used about a quarter of these for his most significant work, the collection Coplas sefardies. This monumental cycle containing in total 60 compositions for voice and piano, based on Sephardic songs, was published by Hemsi in ten volumes. The first five volumes were published in Alexandria between 1932 and 1938 and the last five from his exile in France between 1969 and 1973. Young soprano Tehila Nini Goldstein beautifully presents these pieces. Goldstein, who was born in New York but grew up in Israel, is a soloist with a passion for chamber music. Her repertoire includes classical opera as well as baroque and contemporary songs, with an special affection for Israeli music.
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