Golomb - The Beat Goes on - VINYL LP
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Molded in the fertile rock crescent of Columbus, Ohio, three-piece Golomb - comprised of Mickey Shuman (vocals/guitar), Xenia Shuman (bass/guitar) and Hawken Holm (drums) - channel Midwest friction into an album that seeks tofind a genuine connection. Bounding through bluster likeLoop one minute and hunkered down like Pixies pummeling pop's soft spots atFort Apache the next. The underlying buzz on InchReal PowerInch dips a fewmiles south of Columbus to channel Dayton's favorite sons, stitching togethersome clear-eyed clamor from the GBV playbook. The band lays it bare on InchDogInchwith a slow slink that builds toward the singed elegance of Spiritualized and alyrical labyrinth that's cut and pasted into a Burroughs-esque blur of rockmotifs. The song peaks in pure maelstrom with a glorious glut of feedbackfoaming out of the speakers. The familiar specter of The Velvets rears it's headin the shambolic beat of the title track, and InchOther Side Of The EarthInch getsgooey with dub, but never loses the band's ability to feed the fray. Then, theywind guitar around their rhythms with the grace of early Built To Spill on InchBeHere Now, Inch letting the sax twirls of Henry Ross send the song into the ether.
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- GenreRockDescriptionMolded in the fertile rock crescent of Columbus, Ohio, three-piece Golomb - comprised of Mickey Shuman (vocals/guitar), Xenia Shuman (bass/guitar) and Hawken Holm (drums) - channel Midwest friction into an album that seeks tofind a genuine connection. Bounding through bluster likeLoop one minute and hunkered down like Pixies pummeling pop's soft spots atFort Apache the next. The underlying buzz on InchReal PowerInch dips a fewmiles south of Columbus to channel Dayton's favorite sons, stitching togethersome clear-eyed clamor from the GBV playbook. The band lays it bare on InchDogInchwith a slow slink that builds toward the singed elegance of Spiritualized and alyrical labyrinth that's cut and pasted into a Burroughs-esque blur of rockmotifs. The song peaks in pure maelstrom with a glorious glut of feedbackfoaming out of the speakers. The familiar specter of The Velvets rears it's headin the shambolic beat of the title track, and InchOther Side Of The EarthInch getsgooey with dub, but never loses the band's ability to feed the fray. Then, theywind guitar around their rhythms with the grace of early Built To Spill on InchBeHere Now, Inch letting the sax twirls of Henry Ross send the song into the ether.ArtistGolombTitleThe Beat Goes onFormatVINYLLabelNo Quarter
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Molded in the fertile rock crescent of Columbus, Ohio, three-piece Golomb - comprised of Mickey Shuman (vocals/guitar), Xenia Shuman (bass/guitar) and Hawken Holm (drums) - channel Midwest friction into an album that seeks tofind a genuine connection. Bounding through bluster likeLoop one minute and hunkered down like Pixies pummeling pop's soft spots atFort Apache the next. The underlying buzz on InchReal PowerInch dips a fewmiles south of Columbus to channel Dayton's favorite sons, stitching togethersome clear-eyed clamor from the GBV playbook. The band lays it bare on InchDogInchwith a slow slink that builds toward the singed elegance of Spiritualized and alyrical labyrinth that's cut and pasted into a Burroughs-esque blur of rockmotifs. The song peaks in pure maelstrom with a glorious glut of feedbackfoaming out of the speakers. The familiar specter of The Velvets rears it's headin the shambolic beat of the title track, and InchOther Side Of The EarthInch getsgooey with dub, but never loses the band's ability to feed the fray. Then, theywind guitar around their rhythms with the grace of early Built To Spill on InchBeHere Now, Inch letting the sax twirls of Henry Ross send the song into the ether.
Double vinyl LP pressing including bonus track. The second album from New York City's Bowery Electric was released in late 1996, less than 15 months after their self-titled debut, but it found them having traveled light years musically in the interim, the group having seemingly decided to see how far they could take the guitar/bass/drums/vocal setup into the atmosphere. Every aspect of their approach had been refined and focused squalling, distorted guitars had been transformed into hazy, sensual sheets; the live drums transmuted to sampled rhythms more in debt to the blossoming downtempo sound of the day; bass lines reduced to their most basic diagrams; vocals submerged to become one with the narcotized fog of the instruments; even the lyrics were reduced to a few minimal lines used sparingly so as not to overshadow the dynamic. Beat is a rich and dense mantra of shadowy percussion, barely-there vocals and immersive drones that envelops the listener in an opiated blanket of sound. Includes the bonus track InchLow Density,Inch not featured on the original U.S. .
Limited blue colored vinyl LP pressing. 2024 collection. Anthology by artful Brussels postpunk-funk band Marine, fondly remembered for their dazzling debut single 'Life In Reverse' in 1981, and now back with a clutch of brand new studio tracks.
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With the 1995 EP Smells Like Children already platinum, Marilyn Manson now march further into the world of sado-masochistic cabaret. Their latest full-length is a knee-jerk Inchlove/hateInch fest produced by Trent Reznor (Nine Inch Nails) and Dave Ogilvie. Tracks include InchIrresponsible Hate Anthem,Inch InchDried Up, Tied And Dead to the World,Inch InchWormboy,Inch InchTourniquetInch and more.
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