Good Kid - Can We Hang Out Sometime? - Light Blue in Pink Splatter - VINYL LP
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Light Blue in Pink Splatter Vinyl. With four popular EPs under their belt, Good Kid's debut full-length, Can We Hang Out Sometime?, delivers the high-energy hooks and inventive riffs that have become a hallmark of their sound. Recorded in Los Angeles under the guidance of Grammy-winning producer John Congleton (known for working with the likes of St. Vincent, Wallows, and Lana Del Rey), the record expands Good Kid's sonic landscape into more playful and unfiltered places than ever before.
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- GenreRockDescriptionLight Blue in Pink Splatter Vinyl. With four popular EPs under their belt, Good Kid's debut full-length, Can We Hang Out Sometime?, delivers the high-energy hooks and inventive riffs that have become a hallmark of their sound. Recorded in Los Angeles under the guidance of Grammy-winning producer John Congleton (known for working with the likes of St. Vincent, Wallows, and Lana Del Rey), the record expands Good Kid's sonic landscape into more playful and unfiltered places than ever before.ArtistGood KidTitleCan We Hang Out Sometime? - Light Blue in Pink SplatterFormatVINYLLabelMany Hats Dist
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Light Blue in Pink Splatter Vinyl. With four popular EPs under their belt, Good Kid's debut full-length, Can We Hang Out Sometime?, delivers the high-energy hooks and inventive riffs that have become a hallmark of their sound. Recorded in Los Angeles under the guidance of Grammy-winning producer John Congleton (known for working with the likes of St. Vincent, Wallows, and Lana Del Rey), the record expands Good Kid's sonic landscape into more playful and unfiltered places than ever before.

Hailing from Toronto, the dynamic indie rock quintet, Good Kid, comprises lead vocalist Nick Frosst, drummer Jon Kereliuk, bassist Michael Kozakov, and guitarists David Wood and Jacob Tsafatinos, who thrives as a vibrant community fueled by the boundless enthusiasm of it's listeners. Their eclectic blend of J-rock, indie-rock and pop-punk resonates with high-energy riffs, catchy melodies and clever lyricism.A jack-of-all-trades ensemble - musicians, programmers and storytellers, Good Kid has carved a unique path for their audience to follow suit. Good Kid's fanbase is not just passive listeners; they are a passionate community, actively contributing to the band's universe. Through platforms like Discord and Twitch, as well as their strong social media presence, fans create art, animation, videos and covers, reflecting their profound connection to the music. The band's journey is marked by streaming successes with the of InchFrom the StartInch on November 10th, 2023, hitting 1 million streams in just 24 hours, accumulating several million streams and counting. Their audience has continued to propel their streaming virality with an impressive 10 times the average per listener streaming consumption. Their reach extends to leading YouTube and Twitch accounts in the gaming space, aligning them with top content creators and gamers. Collaborations with notable personalities such as XrayAlphaCharlie, Julien Solomita, and Trash Taste underscore Good Kid's versatility and widespread appeal. Their music caught the attention of none other than MrBeast, the biggest Youtuber in the world, who featured seven Good Kid songs in a recent video, amassing over 227 million views.12Inch EP. Black Vinyl. Beyond the digital realm, Good Kid's live shows have become an integral piece of the band's mission to connect with their enthusiastic fans. Their energetic performances have not only led

Flaming Tunes' sole is perhaps the finest elegy to the '80s home recording ethos that you've never heard. Originally released in 1985 on cassette (with individually hand-colored covers), this self-titled album grew out of the collaboration between childhood friends Gareth Williams and Mary Currie.Williams is best known as a member of English art-rock band This Heat. After leaving the group in the early '80s, he travelled to India where he studied classical Kathakali dance-an experience that would profoundly shape the music of Flaming Tunes.In an old Victorian house in South London, the duo recorded during the day while Currie's young son attended school and Williams conducted tape treatments at night. They were joined by various guests including This Heat guitarist Charles Bullen as well as long-term collaborators Martin Harrison and Rick Wilson.Using whatever instruments they had on hand (clarinet, piano, bells, etc.), Flaming Tunes create lo-fi melodies around simple arrangements, oblique rhythms and densely layered natural sounds. The results are a mesmeric collage of instrumental daydreams and sideways pop songs, floating into one another in a hazy confluence of late '60s Canterbury psych-folk and early Residents experimentation.All of these beguiling elements converge in a personal manner, quietly insistent in listeners' ears like the blood pulsing in one's veins on a warm summer day.
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