Good Morning - Barnyard (Seafoam Vinyl) - VINYL LP
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Good Morning, the Melbourne duo of Stefan Blair and Liam Parsons, are rulebreakers. Not in a sexy, flamboyant way - more in a casual, resigned kind of way. Accidental and incidental rulebreakers. They are friends first, band second, business third, often in spite of function, and often at their own expense. Every time the machinations of the industry have zigged, Good Morning have zagged.In late 2019, after the of The Option and Basketball Breakups, with a lengthy American tour looming, Good Morning decided to go back to basics - to record as a duo again, as they had on 2014's Shawcross and 2016's Glory. Over the course of the year, they demoed any number of songs in their Collingwood studio space, meeting up every Tuesday to write and record together as they always had. In November, as their American tour wrapped up, the pair decamped in Chicago, to properly record the demos they had amassed at Wilco's famed studio, The Loft, with Tom Schick, the studio's in-house engineer.Despite how quietly epochal Barnyard is - a milestone in the history of Good Morning - it's also the band's most meditative record, thoughtful and careful in it's evocations. Barnyard is world-weary, concerned with the state of things in a loose, unfocussed sort of way. In other words, like we all are - frustrated both with the way things are and with everyone's general inability to fix any of the many issues endemic to our society.In spite of the appropriately bleak vibe, these songs feature some of Good Morning's catchiest and most distinctive productions. The spritely groove and easygoing harmonies of InchDepends On What I KnowInch belie it's frustration-ridden lyrics; the gripping, awesome propulsion of InchCountryInch persists in spite of it's appeal to return to a simpler, easier way of being. Thoughtful, melodic, and idiosyncratic, Barnyard is all the things one might love about Good Morni
- GenreRockDescriptionGood Morning, the Melbourne duo of Stefan Blair and Liam Parsons, are rulebreakers. Not in a sexy, flamboyant way - more in a casual, resigned kind of way. Accidental and incidental rulebreakers. They are friends first, band second, business third, often in spite of function, and often at their own expense. Every time the machinations of the industry have zigged, Good Morning have zagged.In late 2019, after the of The Option and Basketball Breakups, with a lengthy American tour looming, Good Morning decided to go back to basics - to record as a duo again, as they had on 2014's Shawcross and 2016's Glory. Over the course of the year, they demoed any number of songs in their Collingwood studio space, meeting up every Tuesday to write and record together as they always had. In November, as their American tour wrapped up, the pair decamped in Chicago, to properly record the demos they had amassed at Wilco's famed studio, The Loft, with Tom Schick, the studio's in-house engineer.Despite how quietly epochal Barnyard is - a milestone in the history of Good Morning - it's also the band's most meditative record, thoughtful and careful in it's evocations. Barnyard is world-weary, concerned with the state of things in a loose, unfocussed sort of way. In other words, like we all are - frustrated both with the way things are and with everyone's general inability to fix any of the many issues endemic to our society.In spite of the appropriately bleak vibe, these songs feature some of Good Morning's catchiest and most distinctive productions. The spritely groove and easygoing harmonies of InchDepends On What I KnowInch belie it's frustration-ridden lyrics; the gripping, awesome propulsion of InchCountryInch persists in spite of it's appeal to return to a simpler, easier way of being. Thoughtful, melodic, and idiosyncratic, Barnyard is all the things one might love about Good MorniArtistGood MorningTitleBarnyard (Seafoam Vinyl)FormatVINYLLabelPolyvinyl Records
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Good Morning, the Melbourne duo of Stefan Blair and Liam Parsons, are rulebreakers. Not in a sexy, flamboyant way - more in a casual, resigned kind of way. Accidental and incidental rulebreakers. They are friends first, band second, business third, often in spite of function, and often at their own expense. Every time the machinations of the industry have zigged, Good Morning have zagged.In late 2019, after the of The Option and Basketball Breakups, with a lengthy American tour looming, Good Morning decided to go back to basics - to record as a duo again, as they had on 2014's Shawcross and 2016's Glory. Over the course of the year, they demoed any number of songs in their Collingwood studio space, meeting up every Tuesday to write and record together as they always had. In November, as their American tour wrapped up, the pair decamped in Chicago, to properly record the demos they had amassed at Wilco's famed studio, The Loft, with Tom Schick, the studio's in-house engineer.Despite how quietly epochal Barnyard is - a milestone in the history of Good Morning - it's also the band's most meditative record, thoughtful and careful in it's evocations. Barnyard is world-weary, concerned with the state of things in a loose, unfocussed sort of way. In other words, like we all are - frustrated both with the way things are and with everyone's general inability to fix any of the many issues endemic to our society.In spite of the appropriately bleak vibe, these songs feature some of Good Morning's catchiest and most distinctive productions. The spritely groove and easygoing harmonies of InchDepends On What I KnowInch belie it's frustration-ridden lyrics; the gripping, awesome propulsion of InchCountryInch persists in spite of it's appeal to return to a simpler, easier way of being. Thoughtful, melodic, and idiosyncratic, Barnyard is all the things one might love about Good Morni

Double white colored vinyl LP pressing. 2024 . The Tortured Poets Department (also shortened to Tortured Poets) is the eleventh studio album by the American singer-songwriter Taylor Swift. Shortly after finishing work on Midnights, Swift conceived The Tortured Poets Department and developed it during the Eras Tour (2023-2024). She described the album as her InchlifelineInch record, a product of imperative songwriting. It consists of sixteen songs, featuring collaborations with the American rapper Post Malone features on InchFortnightInch and the English indie rock band Florence and the Machine on InchFlorida!!!Inch. Each of the four physical versions of the album include one additional bonus track. Album Tracks 1. Fortnight (Feat. Post Malone) 2. The Tortured Poets Department 3. My Boy Only Breaks His Favorite Toys 4. Down Bad 1. So Long London 2. But Daddy I Love Him 3. Fresh Out the Slammer 4. Florida!!! (Feat. Florence + the Machine) 1. Guilty As Sin? 2. Who's Afraid of Little Old Me? 3. I Can Fix Him (No Really I Can) 4. Loml 1. I Can Do It with a Broken Heart 2. The Smallest Man Who Ever Lived 3. The Alchemy 4. Clara Bow 5. The Manuscript (Bonus Track)
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