Gouin Siranossian Barenboim - Dear Mademoiselle - COMPACT DISCS [CD]

This album is the story of a dialogue between two voices the singing voice and the voice of the cello, which has always been considered the instrument closest to the human voice. It is also the story of two worlds and the meeting of two cultures, East and West. The East we encounter here is Armenia, it's thousand-year-old culture, it's music and it's songs, which resonate with the compositions of Bach, Kodály and Ligeti. For the cellist Astrig Siranossian, vocal melody and the sound of the cello are two voices that she has always combined in her concerts, coupling a dance from a solo cello suite by Bach with an Armenian song that she performs with great sensitivity. East and West, Armenia and Europe it is her roots and her emotions that the young cellist shares with us here. This recording was made on two different cellos, according to the repertory an instrument by Francesco Ruggieri dating from 1676 and the famous Giovanni Gagliano of 1756 known as the 'Sir John Barbirolli'.

Le Po me Harmonique - Music of Bellerofronte Castaldi [COMPACT DISCS] date 09/30/2003

After two earlier Dvorák releases, the Trios nos.3 and 4 (Dumky) and the two Piano Quartets, Omri Epstein, Mathieu van Bellen and Ori Epstein are joined by one of their teachers at the Queen Elisabeth Music Chapel, the violist Miguel da Silva (founder member of the famous Quatuor Ysaÿe) and the violinist Maria Milstein, who was also an artist in residence at the Music Chapel from 2011 to 2014. Together they continue this recording of the Czech composer's complete chamber music with keyboard, this time in the two Piano Quintets and the Bagatelles. There is an obvious close rapport between these musicians, who share with us their passion for this repertory and their enjoyment of playing together. A gap of fifteen years separates Dvorák's two Piano Quintets, which have few features in common except a shared home key the First marks the debut of a youthful composer, while the Second shows him at the peak of his art. The Bagatelles, originally scored for two violins, cello and harmonium, are among his best-known short pieces.