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Greg Fox - Contact - VINYL LP

SKU: 10595664

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Greg Fox's Contact is an extension and evolution of the multidisciplinary artist's rigorous, virtuosic sound-making practices. On Contact, the devoted performer, intrepid composer and avid collaborator channels an alchemy of influences and ideas through the kinetic exchange of human and percussive forms. Produced and mixed by Randall Dunn, Contact sees Fox accessing ever more raw and ruminative states, processing the tumult of sentience into stick-hit-drum. Vinyl edition comes with high-quality code.

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  • Genre
    Rock
    Description
    Greg Fox's Contact is an extension and evolution of the multidisciplinary artist's rigorous, virtuosic sound-making practices. On Contact, the devoted performer, intrepid composer and avid collaborator channels an alchemy of influences and ideas through the kinetic exchange of human and percussive forms. Produced and mixed by Randall Dunn, Contact sees Fox accessing ever more raw and ruminative states, processing the tumult of sentience into stick-hit-drum. Vinyl edition comes with high-quality code.
    Artist
    Greg Fox
    Title
    Contact
    Format
    VINYL
    Label
    RVNG Int'l
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Greg Fox - Contact   - VINYL LP
Greg Fox - Contact - VINYL LP

Greg Fox's Contact is an extension and evolution of the multidisciplinary artist's rigorous, virtuosic sound-making practices. On Contact, the devoted performer, intrepid composer and avid collaborator channels an alchemy of influences and ideas through the kinetic exchange of human and percussive forms. Produced and mixed by Randall Dunn, Contact sees Fox accessing ever more raw and ruminative states, processing the tumult of sentience into stick-hit-drum. Vinyl edition comes with high-quality code.

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Vinyl LP pressing, includes . This album represents three distinct historical trends that came together in the span of only 10 days during recording at Studios 606 and Big Bad Sound in April of 2016. The most obvious one is the musicians themselves. The rhythm section is composed of players from Social Distortion. 36 years ago, Bad Religion and Social Distortion shared a stage in Santa Ana, California. Well, it wasn't really a stage, it was an abandoned warehouse made into a punk concert/party place. That was my first concert, as the singer/songwriter in Bad Religion. Our styles over the years diverged, but one consistent element remained - our love of American Folk Rock and Old-Time music continued to grow. The second root apparent on this album is that of the sound and musicianship itself. No mere hacks, these musicians are masters. Vintage wood, having been crafted into musical instruments, produces the sound of history when played by virtuosos such as those collected here. An old guitar, a vintage fiddle, drums and bass, clawhammer banjo, and a combo of electric guitar and tubed amplifier, create a sound that can only be described as classic. When you add the beautiful harmonies of these most excellent background singers, there is no doubt that this music comes from a deep-rooted expression of American experience. The final historical root is a personal one. The people who introduced me to Old-Time music are now old-timers themselves. My family roots go back to Indiana and Wisconsin. The Indiana folks sang a-Capella in the old country chapel at my Grandma's funeral. Her children taught me to sing and the songs they chose came from the 30s, 40s, 50s, and of course the folk revival tunes of the 1960s. This was the sound I brought forth to my own band starting in the 1980s. It's the only kind of lyrical style I know. And hopefully this album will add another strong b

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