Gretchen's Wheel - Black Box Theory - VINYL LP
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Lindsay Murray's indie-pop solo project Gretchen's Wheel returns with her fourth full-length , Black Box Theory, a 10-song collection that blends Murray's clear voice with her aggressive, energetic power-pop guitar attack. Murray's songwriting draws upon classic pop and rock sounds without ever becoming an exercise in retro. Black Box Theory continues the confident study in contrasts that has endeared Gretchen's Wheel to audiences. Razor-edged guitars drive the album's opening salvo, InchUntethered,Inch as sweetly sung vocal harmonies float above. A bouncy rhythm underscores the melancholic sentiments of InchThe Maze.Inch The contemplative, album-closing InchA TouristInch culminates with slow-burn distorted guitars. InchMurray's meaty, thoughtful tunes feel like they straddle the border between introspective power-pop and succinct, catchy alt-rockInch (The Daily Vault). The LP is black vinyl with multi-color splatter packaged in a gatefold jacket.
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- GenreRockDescriptionLindsay Murray's indie-pop solo project Gretchen's Wheel returns with her fourth full-length , Black Box Theory, a 10-song collection that blends Murray's clear voice with her aggressive, energetic power-pop guitar attack. Murray's songwriting draws upon classic pop and rock sounds without ever becoming an exercise in retro. Black Box Theory continues the confident study in contrasts that has endeared Gretchen's Wheel to audiences. Razor-edged guitars drive the album's opening salvo, InchUntethered,Inch as sweetly sung vocal harmonies float above. A bouncy rhythm underscores the melancholic sentiments of InchThe Maze.Inch The contemplative, album-closing InchA TouristInch culminates with slow-burn distorted guitars. InchMurray's meaty, thoughtful tunes feel like they straddle the border between introspective power-pop and succinct, catchy alt-rockInch (The Daily Vault). The LP is black vinyl with multi-color splatter packaged in a gatefold jacket.ArtistGretchen's WheelTitleBlack Box TheoryFormatVINYLLabelFutureman Records
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Lindsay Murray's indie-pop solo project Gretchen's Wheel returns with her fourth full-length , Black Box Theory, a 10-song collection that blends Murray's clear voice with her aggressive, energetic power-pop guitar attack. Murray's songwriting draws upon classic pop and rock sounds without ever becoming an exercise in retro. Black Box Theory continues the confident study in contrasts that has endeared Gretchen's Wheel to audiences. Razor-edged guitars drive the album's opening salvo, InchUntethered,Inch as sweetly sung vocal harmonies float above. A bouncy rhythm underscores the melancholic sentiments of InchThe Maze.Inch The contemplative, album-closing InchA TouristInch culminates with slow-burn distorted guitars. InchMurray's meaty, thoughtful tunes feel like they straddle the border between introspective power-pop and succinct, catchy alt-rockInch (The Daily Vault). The LP is black vinyl with multi-color splatter packaged in a gatefold jacket.

Revisit the impactful debut album Moving Backwards by Finnish progressive metal band, Wheel, now available in a special reissue. This edition is pressed on transparent natural vinyl, offering a fresh take on the original .Including the hit singles Vultures, Wheel and Where The Pieces Lie, Moving Backwards guides listeners through complex melodies, powerful riffs, and thoughtful lyrics. Each track highlights Wheel's skill in blending technical ability with deep emotion, marking a strong entry in the progressive metal scene.Praised by fans and critics for it's creativity and execution, Moving Backwards has made a notable mark in metal.

Silver Tears is a collection of songs that offer a glimpse through the eyes of one gifted songwriter and versatile musician. Whether playing guitar in the late incarnation of riotous glam rock innovators the New York Dolls, the gender-bending, envelope-pushing, sleaze n' tease arena rock band Semi Precious Weapons, the Neil Young-signed, alt-country act Everest, British roots rock band Alberta Cross, Southern rock stalwarts Drivin' N' Cryin' or even as frontman of the devilishly cleverly-named Heartbreakers meets Replacements rockers Madison Square Gardeners, East Nashville-based musician Aaron Lee Tasjan has always considered himself a songwriter first and foremost, writing his own off-kilter, folk-inflected songs since he picked up his first acoustic as a teen guitar prodigy. InchA lot of the stuff I did previously was never the main focal point,Inch Tasjan explains. InchIt's all just been pieces along the way.Inch While those stints may have never been his main destination, each one has been a stepping stone that has uniquely informed his songwriting and made him a compelling, singular artist. Tasjan's songs, as first heard on his debut solo EP, 2014's Crooked River Burning, are indebted to great American storytellers like John Prine, Tom Petty, Guy Clark, Steve Goodman, Arlo Guthrie and Todd Snider. They are imbued with wry wit, a sharp tongue and a lot of heart. Last year's self-released LP, In The Blazes, received accolades from American Songwriter, Rolling Stone, Nashville Scene and NPR and suggested Tasjan was an artist to keep an eye on. While that album hinted at Tasjan's enormous potential, it's his sophomore effort, his New West Records debut, Silver Tears, that best realizes his artistic ambitions and solidifies him as one of the most intriguing singer-songwriters to emerge in some time.Side A - Hard LifeLittle MoviesMemphis RainDimeReady To DieRefugee Bl
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On her fifth album, pianist and composer Beata Hlavenkova appears as singer for the first time. Her main musical partner on this album is Oskar Török who has contributed not only in his traditional role as trumpetist but also as drummer, percussionist and singer. The title SNE is a shortcut for everything that the album contains poems (baSNE), songs (píSNE) and dreams (SNEní). Beata has chosen poems by her favorite authors, Petr Borkovec and Bohuslav Reynek, and set them to music. Two of the sons are based on her own texts and two others musicalize lyrics by Dorota Barova and Martin Vedej. In foregrounding the song form on this album, Beata removes her music further away from the limits of jazz within which she used to operate and brings it forward in the direction of contemporary cross-genre songwriting. Her unique style, however, is still very much recognizable.
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