Guitar Portraits - DVD
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In 1988, Buster Brad Jones entered Guitar Player Magazine's International Guitar Competition with his own composition Back Porch Boogie and a rendition of Limehouse Blues. He entered on a whim, at the last minute, using a $1.50 K-Mart cassette tape and a boom box. There were almost 900 entries, and he won on the first ballot. In 1990, he won the National Fingerpicking Championship at Winfield, Kansas. In the last years he has performed with Chet Atkins, Tommy Jones, Marcel Dadi, Thom Bresh and John Knowles. He is a regular at the annual conventions in Nashville and France of the Chet Atkins Appreciation Society. In France they have dubbed him LE MACHINE GUN. Stefan Grossman has been recording, performing and writing about acoustic fingerstyle techniques and styles for over forty years. During the period from 1965-1975 he studied and traveled with some of the legendary figures in the story of blues guitar i.e. Rev. Gary Davis, Mississippi John Hurt, Fred McDowell, Son House and Skip James. In the last years he has recorded and performed solo as well as with John Renbourn, Paul Simon, Sam Mitchell Jo Ann Kelly, Duck Baker and Mickey Baker. At the age of 12, John Miller was inspired to play the guitar after seeing Mississippi John Hurt perform at the Philadelphia Folk Festival. He bought his first guitar at the age of 16 and launched into an intensive period of study of Country Blues guitar, learning the music of John Hurt, Mance Lipscomb, Bo Carter, Blind Blake and other greats. By the time he was twenty-seven, John had released five solo albums to international critical acclaim. Those albums ranged from Country Blues and Old Time country music to the songs of George Gershwin. For the next 15 years, John focused on teaching, founding two music camps, composing and building a vocabulary in Jazz and Latin music.
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- GenreMusicDescriptionIn 1988, Buster Brad Jones entered Guitar Player Magazine's International Guitar Competition with his own composition Back Porch Boogie and a rendition of Limehouse Blues. He entered on a whim, at the last minute, using a $1.50 K-Mart cassette tape and a boom box. There were almost 900 entries, and he won on the first ballot. In 1990, he won the National Fingerpicking Championship at Winfield, Kansas. In the last years he has performed with Chet Atkins, Tommy Jones, Marcel Dadi, Thom Bresh and John Knowles. He is a regular at the annual conventions in Nashville and France of the Chet Atkins Appreciation Society. In France they have dubbed him LE MACHINE GUN. Stefan Grossman has been recording, performing and writing about acoustic fingerstyle techniques and styles for over forty years. During the period from 1965-1975 he studied and traveled with some of the legendary figures in the story of blues guitar i.e. Rev. Gary Davis, Mississippi John Hurt, Fred McDowell, Son House and Skip James. In the last years he has recorded and performed solo as well as with John Renbourn, Paul Simon, Sam Mitchell Jo Ann Kelly, Duck Baker and Mickey Baker. At the age of 12, John Miller was inspired to play the guitar after seeing Mississippi John Hurt perform at the Philadelphia Folk Festival. He bought his first guitar at the age of 16 and launched into an intensive period of study of Country Blues guitar, learning the music of John Hurt, Mance Lipscomb, Bo Carter, Blind Blake and other greats. By the time he was twenty-seven, John had released five solo albums to international critical acclaim. Those albums ranged from Country Blues and Old Time country music to the songs of George Gershwin. For the next 15 years, John focused on teaching, founding two music camps, composing and building a vocabulary in Jazz and Latin music.TitleGuitar PortraitsFormatDVDMPAA RatingUnratedStudioVestapol
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In 1988, Buster Brad Jones entered Guitar Player Magazine's International Guitar Competition with his own composition Back Porch Boogie and a rendition of Limehouse Blues. He entered on a whim, at the last minute, using a $1.50 K-Mart cassette tape and a boom box. There were almost 900 entries, and he won on the first ballot. In 1990, he won the National Fingerpicking Championship at Winfield, Kansas. In the last years he has performed with Chet Atkins, Tommy Jones, Marcel Dadi, Thom Bresh and John Knowles. He is a regular at the annual conventions in Nashville and France of the Chet Atkins Appreciation Society. In France they have dubbed him LE MACHINE GUN. Stefan Grossman has been recording, performing and writing about acoustic fingerstyle techniques and styles for over forty years. During the period from 1965-1975 he studied and traveled with some of the legendary figures in the story of blues guitar i.e. Rev. Gary Davis, Mississippi John Hurt, Fred McDowell, Son House and Skip James. In the last years he has recorded and performed solo as well as with John Renbourn, Paul Simon, Sam Mitchell Jo Ann Kelly, Duck Baker and Mickey Baker. At the age of 12, John Miller was inspired to play the guitar after seeing Mississippi John Hurt perform at the Philadelphia Folk Festival. He bought his first guitar at the age of 16 and launched into an intensive period of study of Country Blues guitar, learning the music of John Hurt, Mance Lipscomb, Bo Carter, Blind Blake and other greats. By the time he was twenty-seven, John had released five solo albums to international critical acclaim. Those albums ranged from Country Blues and Old Time country music to the songs of George Gershwin. For the next 15 years, John focused on teaching, founding two music camps, composing and building a vocabulary in Jazz and Latin music.

Doc Watson was a legendary performer who blended his traditional Appalachian musical roots with bluegrass, country, gospel and blues to create a unique style and an expansive repertoire. His flatpicking style elevated the acoustic guitar to solo status in bluegrass and country music, and whose interpretations of traditional American music profoundly influenced generations of folk and rock guitarists. NTSC all region, 100 minutes.

Personal & Musical Portrait [DIGITAL VIDEO DISC] Released 2018 product/publication from Fleur de Son

The performers in this 60 minute DVD express different traditions, personalities and stylistic approaches through their guitars. Yet there is a commonality, not only in the instrument and fundamental approach to it but also in the choice of these players to take risks and to respect tradition. Bob Brozman plays Hawaiian Greetings unlike any of the Hawaiian guitarists of the 1920s, yet his version overflows with love of his sources. Peppino D'Agostino uses unorthodox techniques to transform his guitar into a Brazilian rhythm band. Titles include Stefan Grossman Sheebeg An Sheemore -+ Bob Brozman Hawaiian Greetings -+ Brad Jones Funky Fingers -+ Martin Simpson Medley Lord Gregory/Bob's Song -+ Peppino D'Agostino Grand Canyon, Ponteio -+ John Renbourn Sweet Potato, Medley Lament for Owen Roe O'Neill/Mist Covered Mountains of Home/The Orphan -+ Martin Simpson & Bob Brozman Bentonia, Chimes of Timbuktu -+ Martin Carthy Seven Yellow Gypsies -+ Stefan Grossman and Duck Baker Danish Drone -+ Bob Brozman Steel Guitar Stomp.
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