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![Guitarp Duo - Debussy, Falla & Ravel: Miroirs d’Espagne - COMPACT DISCS [CD]](https://pisces.bbystatic.com/image2/BestBuy_US/images/products/1720a40b-c9fb-42d3-b5b7-2205f901fcc5.jpg;maxHeight=422;maxWidth=264?format=webp)
The biographies and the music of Debussy, Ravel, and de Falla contain multiple hidden reflections, many elements that mirror each other. These reflections are so clear-cut that it becomes difficult in many cases to make out the original image. Music inspired by Iberia and the piano as an instrument were certainly common ground, on which the three composers engaged in a lively artistic exchange. The Romantic piano repertoire has appropriated music of the most diverse origins. Considering the particular instrument that originally inspired it, we could almost call the result regeneration rather than mere transcription, as if the music were reborn in it's pure form. The works included on this CD showcase guitar, harp and piano in just such a complementary relationship. Indeed, Maurice Ravel personally noted in his score of Miroirs for the pianist Vlado Perlemuter, that he should imitate the guitar or the harp in certain passages. In his article La guitara, Manuel de Falla in his turn writes of how marvellously Debussy depicts the artistic qualities of the instrument, without ever having used the guitar at all in his works. Having grown up with the Romantic tradition, many pianists of the time had difficulties doing justice to the new musical imagery of Symbolism. Chronicles from the time reveal a certain impatience in composers, who required from interpreters a new technique and a different use of the sustaining pedal. Unlike the piano, both guitar and harp emit softer, less defined contours, in keeping with the melancholic and equivocal timbres of Debussy and Ravel. Ever since his student days, Maurizio Grandinetti's main interest has been broadening the musical horizons of his instrument. He is currently soloist, chamber musician and improviser. His career so far has taken him to the most important festivals and concert halls in numerous European countries, Brazil, the

Limited vinyl LP repressing in gatefold jacket. Off the Wall is the fifth solo studio album by Michael Jackson. It was released on August 10, 1979, following Jackson's critically well-received film performance in The Wiz. While working on that project, Jackson and Quincy Jones had become friends, and Jones agreed to work with Jackson on his next studio album. Recording sessions took place between December 1978 and June 1979 at Allen Zentz Recording, Westlake Recording Studios, and Cherokee Studios in Los Angeles, California. Jackson collaborated with a number of other writers and performers such as Paul McCartney, Stevie Wonder and Rod Temperton. Five singles were released from the album. It was his first solo under Epic Records, the tag he would record on until his death roughly 30 years later. Album Tracks 1. Don't Stop 'Til You Get Enough 2. Rock with You 3. Workin' Day and Night 4. Get on the Floor 1. Off the Wall 2. Girlfriend 3. She's Out of My Life 4. I Can't Help It 5. It's the Falling in Love 6. Burn This Disco Out

Limited vinyl LP repressing in gatefold jacket. Thriller is the sixth solo studio album by Michael Jackson. It was released by Epic Records on November 30, 1982, as the follow-up to Jackson's critically and commercially successful 1979 album Off The Wall. Thriller explores similar genres to those of Off The Wall, including pop, post-disco, rock and funk. Recording sessions took place on April to November 1982 at Westlake Recording Studios in Los Angeles with a production budget of $750, 000, assisted by producer Quincy Jones. Seven singles were released from the album, all of which reached the Top 10 on the Billboard Hot 100. In just over a year, Thriller became-and currently remains-the best-selling album of all time, with estimated sales of 65 million copies worldwide. It has become the first album ever to be certified 32 times multi-platinum for U.S. sales, marking more than 32 million sales shipped. The album won a record-breaking eight Grammy Awards in 1984, including for Album of the Year. Album Tracks 1. Wanna Be Startin' Somethin' Jackson, Michael 6 03 2. Baby Be Mine Jackson, Michael 4 20 3. The Girl Is Mine Jackson, Michael with Paul McCartney 3 42 4. Thriller Jackson, Michael 5 58 1. Beat It (Single Version) Jackson, Michael 4 18 2. Billie Jean (Single Version) Jackson, Michael 4 53 3. Human Nature Jackson, Michael 4 05 4. P.Y.T. (Pretty Young Thing) Jackson, Michael 3 59 5. The Lady in My Life Jackson, Michael 4 57

Limited vinyl LP repressing in gatefold jacket. Bad is the seventh solo studio album by Michael Jackson. It was released on August 31, 1987, nearly five years after Jackson's previous studio album, Thriller. Bad was recorded during the first half of 1987. The lyrical themes on the record relate to media bias, paranoia, racial profiling, romance, self-improvement and world peace. The album is widely regarded as having cemented Jackson's status as one of the most successful artists of the 1980s, as well as enhancing his solo career and being one of the best musical projects of his career. Five of the singles hit #1 in the United States, while a sixth charted within the Top Ten, and a seventh charted within the Top Twenty on the Hot 100. Bad peaked at #1 in thirteen countries and charted within the Top Twenty in other territories. Album Tracks 1. Bad 2. The Way You Make Me Feel 3. Speed Demon 4. Liberian Girl 5. Just Good Friends 1. Another Part of Me 2. Man in the Mirror 3. I Just Can't Stop Loving You - Michael Jackson Feat. Siedah Garrett 4. Dirty Diana 5. Smooth Criminal
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