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Gunar Letzbor - Chamber Music - SUPER-AUDIO CD [Super Audio CD (SACD)]

SKU: 10318283

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Amandus Ivanschiz was baptized Matthias Leopold Ivanschiz on 24 December 1727 in the Austrian city of Wiener Neustadt. As early as 1742, at the age of fifteen, Matthias decided to join the Pauline Order and took the name Amandus. On 25 December 1743 Amandus took his vows and was then sent to Maria Trost and Wiener Neustadt to study for the priesthood. The extensive oeuvre of this master, who only lived to the age of 31, is astonishing. In total, more than 300 copies of his works can be found in Central and Eastern Europe. His modern style and great compositional mastery probably explain the wide dissemination of his music. Ivanschiz might therefore also have served as a model in the development of the young Mozart. Amadeus' first visit to the monastery is documented on 12 September 1767, after which we know he returned at least another three times.

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  • Genre
    Classical
    Description
    Amandus Ivanschiz was baptized Matthias Leopold Ivanschiz on 24 December 1727 in the Austrian city of Wiener Neustadt. As early as 1742, at the age of fifteen, Matthias decided to join the Pauline Order and took the name Amandus. On 25 December 1743 Amandus took his vows and was then sent to Maria Trost and Wiener Neustadt to study for the priesthood. The extensive oeuvre of this master, who only lived to the age of 31, is astonishing. In total, more than 300 copies of his works can be found in Central and Eastern Europe. His modern style and great compositional mastery probably explain the wide dissemination of his music. Ivanschiz might therefore also have served as a model in the development of the young Mozart. Amadeus' first visit to the monastery is documented on 12 September 1767, after which we know he returned at least another three times.
    Artist
    Gunar Letzbor
    Title
    Chamber Music
    Format
    Super Audio CD (SACD)
    Label
    Challenge
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Gunar Letzbor - Chamber Music   - SUPER-AUDIO CD [Super Audio CD (SACD)]
Gunar Letzbor - Chamber Music - SUPER-AUDIO CD [Super Audio CD (SACD)]

Amandus Ivanschiz was baptized Matthias Leopold Ivanschiz on 24 December 1727 in the Austrian city of Wiener Neustadt. As early as 1742, at the age of fifteen, Matthias decided to join the Pauline Order and took the name Amandus. On 25 December 1743 Amandus took his vows and was then sent to Maria Trost and Wiener Neustadt to study for the priesthood. The extensive oeuvre of this master, who only lived to the age of 31, is astonishing. In total, more than 300 copies of his works can be found in Central and Eastern Europe. His modern style and great compositional mastery probably explain the wide dissemination of his music. Ivanschiz might therefore also have served as a model in the development of the young Mozart. Amadeus' first visit to the monastery is documented on 12 September 1767, after which we know he returned at least another three times.

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Lezbor - Chamber Music in the Abbey of St Florian   - COMPACT DISCS [CD]

Gunar Letzbor writes InchFranz Josef Aumann was born in the Austrian town of Traismauer in 1728 and studied music in Vienna, where he came across many important musicians of his time. It has not yet been established why in 1753 he relocated to Sankt Florian. He must have been unusually talented, as two years later he became Regens Chori, one year before his ordination to the priesthood. From that point he remained in the service of the monastery until his death in 1797. He composed InchentertainmentInch music of the highest quality - pieces that were played for the amusement of invited guests, on special occasions, or simply between the various courses of lavish banquets. In the archives of St Florian Monastery not many chamber works have survived - only a handful, but these are of outstanding quality. The quintets are remarkable. Here the master develops a particular style of chamber music two violins are juxtaposed with two violas. Both groups of instruments have equal status and enter into a lively discourse. Aumann mastered all the compositional techniques of his time. We can, however, observe a particular preference for melodic lines reminiscent of the folk music that was practiced in the region. For contrast, we have added the Cassatio in D, where the radiant sound of a flautello bestows a special aura upon the music. The concluding Parthia in C where trumpets symbolize the divinity or a high social position. Aumann must have been extremely innovative, not worrying too much about any rules within his environment.Inch

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