Han Chen - Works for Solo Piano - COMPACT DISCS [CD]
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Composer, conductor and pianist Thomas Ades has been described by The New York Times as 'among the most accomplished all-round musicians of his generation.' His 'Concert Paraphrase on Powder Her Face' reflects the glamor of the opera's subject in the grand manner of Liszt or Busoni, while 'Still Sorrowing' and 'Darknesse Visible' explore John Dowland's haunting lute works. Heard here in it's world premiere recording, competition piece 'Blanca Variations' is lyrical and flowing in character, and 'Traced Overhead' is a vivid description of ascent and flight. Ades captures and transforms Polish style in his 'Mazurkas,' and the spirit of Satie and Ravel in a 'Souvenir' from the film 'Colette.'
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- GenreClassicalDescriptionComposer, conductor and pianist Thomas Ades has been described by The New York Times as 'among the most accomplished all-round musicians of his generation.' His 'Concert Paraphrase on Powder Her Face' reflects the glamor of the opera's subject in the grand manner of Liszt or Busoni, while 'Still Sorrowing' and 'Darknesse Visible' explore John Dowland's haunting lute works. Heard here in it's world premiere recording, competition piece 'Blanca Variations' is lyrical and flowing in character, and 'Traced Overhead' is a vivid description of ascent and flight. Ades captures and transforms Polish style in his 'Mazurkas,' and the spirit of Satie and Ravel in a 'Souvenir' from the film 'Colette.'ArtistHan ChenTitleWorks for Solo PianoFormatCDLabelNaxos
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Anton Rubinstein stood at the heart of Russian musical life for nearly half a century and had a profound influence on generations of Russian musicians, including Tchaikovsky. His piano sonatas reveal a composer intent on uniting intellect and passion within a symphonic conception of the keyboard. With it's heroic, noble themes, the Third Piano Sonata was Rubinstein's own favourite of the set. The final Piano Sonata No. 4 represents the composer at the height of his creative command, pouring a lifetime of emotions into a single piece and distilling the paradoxical tensions between intellect and impulse, Germanic structure and Russian ardour. Sonatas Nos. 1 and 2, played by Han Chen, can be heard on 8.573989.
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