Hans Glawischnig - Jahira - COMPACT DISCS [CD]

This is the final volume of Kemp English's pioneering world premiere recording of Leopold Kozeluch's complete solo keyboard sonatas. It is played, once again, on appropriate authentic instruments and charts just how profoundly Kozeluch's style changed over the decades, from the charming early Sonata No. 47 for harpsichord to the three late romantic sonatas. The virtuosic Sonata No. 49, with it's pedal effects and extended compass, shows techniques derived from the English Piano School and in the final sonata he encapsulates to perfection the sound world of early nineteenth-century Vienna.

Hans Hassler - Hans Hassler [COMPACT DISCS] date 01/28/2014

Fireflight Mimmi Fulmer (soprano voice), Elizabeth Falconer (koto, bass koto), Dane Richeson (percussion), Les Thimmig (tenor saxophone, bass clarinet), Michael Kocour (piano) 'Taking of the World by Sturm Bassist-composer Hans Sturm stirs up a torrent of creative virtuosity in his recent Innova Fireflight Sun Suite. The jazz/new music crossover album is permeated by the haunting sounds of Elizabeth Falconer's traditional and progressive koto playing, which is well nigh in the same league as Miya Masaoka's (in one stretch Falconer sounds remarkably like an oud). Mimmi Fulmer is the glowing and smoky soprano, and she sings wonderfully in consort with the innovative drummer Dane Richeson, who is comfortable with all manner of percussion East and West.' Mark Alburger, Journal of 21st Century Music 'At one moment it sounds like ancient tribal ritual music, and the next, it evokes scenes of natural phenomena - awe inspiring vistas and picturesque landscapes. This group paints pictures with sound that challenge the imagination and mind of the listener... a feast of musical textures and moods, and an imaginative approach to ensemble playing' Todd Coolman, Bass World I have frequently been inspired by a moving sunrise or sunset and was struck by the thought of what it might feel like to not just witness an event of such great beauty, but to be a physical part of it - as if one could become part of the air and light. This thought inspired a series of poems and stories exploring the idea of becoming a disembodied part of the atmosphere, somehow one with the day. These explorations raised the thought of how magical the various parts of the day must have been to early human observers left unburdened by scientific explanations, the incandescent light bulb, and climate controlled environments. Words suggested sounds and ultimately led to the creation of the Sun Suite depicting a