Hans Theessink - Hard Road Blues - COMPACT DISCS [CD]
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HANS THEESSINK InchHARD ROAD BLUESInch 1994 Blue Groove BG-6020, produced by Hans Theessink Even though I like all sorts of roots music, my first love is the acoustic blues as created in the last century. As a boy I remember hearing Big Bill Broonzy for the first time on late night radio. I was totally taken by the emotional richness and the sound of one person singing and playing guitar at the same time. To me that's sort of my musical base. My song 'Big Bill's Guitar' is a keysong for me that I tend perform at all my solo concerts. 'HARD ROAD BLUES' is my first recording of this basic blues form one man - one guitar. Enjoy, Hans Theessink This sparse guitar-and-voice production is immediately engaging. Theessink plays with a strong groove and excellent tone and sings in a deep, resonant voice. A majority of the songs are originals that show his love of traditional blues forms. This recording deserves a spot in the stores next to the work of the men who inspired it. (James Jensen, Acoustic Guitar, CD hit list, USA, 1997) Theessink is a formidable slide guitarist - check him out! (Kenneth Johnson, The Charlotte Observer, August 97) The arrangements are sparse but very rich in dynamics and highlights his emotional directness and superb phrasing in both his guitar playing and vocal delivery. Theessink has a total grasp on the loping, pulsing rhythm that propels classic Delta blues music. Songwriting craftsmanship is amply displayed in InchBig Bill's GuitarInch, where bittersweet reminiscences of life events linked to distant experiences of Big Bill Broonzy are artfully fit over a traditional blues framework. (Andy Allen, Dirty Linen, USA, July 96) Let one more myth die quickly; you don't have to be American to play the blues. Hans Theessink is in that select group of artists such as John Hammond, Paul Geremia and Rory Block, whom all share the responsibility for preser
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- GenreBluesDescriptionHANS THEESSINK InchHARD ROAD BLUESInch 1994 Blue Groove BG-6020, produced by Hans Theessink Even though I like all sorts of roots music, my first love is the acoustic blues as created in the last century. As a boy I remember hearing Big Bill Broonzy for the first time on late night radio. I was totally taken by the emotional richness and the sound of one person singing and playing guitar at the same time. To me that's sort of my musical base. My song 'Big Bill's Guitar' is a keysong for me that I tend perform at all my solo concerts. 'HARD ROAD BLUES' is my first recording of this basic blues form one man - one guitar. Enjoy, Hans Theessink This sparse guitar-and-voice production is immediately engaging. Theessink plays with a strong groove and excellent tone and sings in a deep, resonant voice. A majority of the songs are originals that show his love of traditional blues forms. This recording deserves a spot in the stores next to the work of the men who inspired it. (James Jensen, Acoustic Guitar, CD hit list, USA, 1997) Theessink is a formidable slide guitarist - check him out! (Kenneth Johnson, The Charlotte Observer, August 97) The arrangements are sparse but very rich in dynamics and highlights his emotional directness and superb phrasing in both his guitar playing and vocal delivery. Theessink has a total grasp on the loping, pulsing rhythm that propels classic Delta blues music. Songwriting craftsmanship is amply displayed in InchBig Bill's GuitarInch, where bittersweet reminiscences of life events linked to distant experiences of Big Bill Broonzy are artfully fit over a traditional blues framework. (Andy Allen, Dirty Linen, USA, July 96) Let one more myth die quickly; you don't have to be American to play the blues. Hans Theessink is in that select group of artists such as John Hammond, Paul Geremia and Rory Block, whom all share the responsibility for preserArtistHans TheessinkTitleHard Road BluesFormatCDLabelBlue Groove
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HANS THEESSINK InchHARD ROAD BLUESInch 1994 Blue Groove BG-6020, produced by Hans Theessink Even though I like all sorts of roots music, my first love is the acoustic blues as created in the last century. As a boy I remember hearing Big Bill Broonzy for the first time on late night radio. I was totally taken by the emotional richness and the sound of one person singing and playing guitar at the same time. To me that's sort of my musical base. My song 'Big Bill's Guitar' is a keysong for me that I tend perform at all my solo concerts. 'HARD ROAD BLUES' is my first recording of this basic blues form one man - one guitar. Enjoy, Hans Theessink This sparse guitar-and-voice production is immediately engaging. Theessink plays with a strong groove and excellent tone and sings in a deep, resonant voice. A majority of the songs are originals that show his love of traditional blues forms. This recording deserves a spot in the stores next to the work of the men who inspired it. (James Jensen, Acoustic Guitar, CD hit list, USA, 1997) Theessink is a formidable slide guitarist - check him out! (Kenneth Johnson, The Charlotte Observer, August 97) The arrangements are sparse but very rich in dynamics and highlights his emotional directness and superb phrasing in both his guitar playing and vocal delivery. Theessink has a total grasp on the loping, pulsing rhythm that propels classic Delta blues music. Songwriting craftsmanship is amply displayed in InchBig Bill's GuitarInch, where bittersweet reminiscences of life events linked to distant experiences of Big Bill Broonzy are artfully fit over a traditional blues framework. (Andy Allen, Dirty Linen, USA, July 96) Let one more myth die quickly; you don't have to be American to play the blues. Hans Theessink is in that select group of artists such as John Hammond, Paul Geremia and Rory Block, whom all share the responsibility for preser

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