Harvestman - Triptych: Part Two - VINYL LP

Drawn to the megaliths, ruins and ancient sites mapped out along the British and European mainland's geographical and psychic landscapes, the folklore and apocrypha forever resurfacing as portals from a rational world, Triptych is a meditation forged from traces and residues, and an hallucinatory recollection of artists who have tapped into that enduring otherworldliness embedded within us all. It's a dream diary narrating a passage through Summer Isle where Flying Saucer Attack are wafting out of a window, a distant Fairport Convention are being remixed by dub master Adrian Sherwood, celestial scanners Tangerine Dream are trying to drown out Bert Jansch and Hawkwind are playing Steeleye Span covers, all prised out of time yet bound to it's singularity.Woven together from home studio recordings that span two decades, and with some notable guest appearances including; The Bug, Douglas Leal of Deafkids, Wayne Adams of Petbrick, Dave French of Yob and Sanford Parker, this final part of the Harvestman Triptych seeks once again for a lost world, with the voice of poet Ezra Pound extolling the virtues of Inchgather[ing] from the air a live traditionInch. Elsewhere, InchHerne's OakInch provides seismic bass waves that physically halt the track in it's steps - giant footfalls as Herne's antlers themselves are dragged along a corridor. Another curious and mysterious piece of British folklore brought to life by Harvestman.If Triptych is a multi- and extra-sensory experience, it extends to the remarkable glyph-style artwork of Henry Hablak, a map of correspondences from a long-forgotten ancient and advanced civilization. As with Triptych itself, it's an echo from another time, an act of binding, a guide to be endlessly reinterpreted, and a signpost to the sacred that might not indicate where to look, but how.Cover art is by Henry Hablak, who also designed the art for Part One an

Jean Louis Duport was one of the most important and influential composers for the cello in the first half of the 19th century. A virtuoso himself, he wrote a treatise on the cello, introducing new techniques, expanding the possibilities of the instrument to a great extent. As a demonstration of his new instrumental style he wrote 21 Etudes, in which all his inventions are incorporated. They are extremely difficult, requiring a virtuoso technique and deep musical insight, lifting the etude above the level of a mere exercise to a work of art. This recording, a world premiere, uses a second cello as a continuo basis, and is played with gut strings, as was usual in Duport's time. A must for cellists, cello lovers and anyone interested in early 19th century French instrumental music.

Vinyl LP pressing. 2017 . Over the course of three albums, Steve Von Till has, under the guise of Harvestman, provided the sonic analogue, casting his net for what might have been and yet still be. Both a personal meditation and a tuning fork for the most ancient and enduring of resonances, Music For Megaliths further expands his journeys along the sonic ley lines that run between folk, drone, psychedelia, the 'kosmische' outposts of krautrock and noise not as an act of eclecticism, but of divination, giving voice to an underlying continuity that binds them all. Recorded over a period of several years in the dawn hours of creation, this album is an aggregation of moments and recordings that have allowed themselves to spell out a greater whole.