Haydn / Bavouzet - Piano Sonatas 7 - COMPACT DISCS [CD]

Charley Patton is widely regarded as perhaps the archetypal early exponent of Mississippi Delta blues. He was a true original with a distinctive slide guitar technique, and he performed a range of blues, spirituals and ballads in a powerful, intense, even primitive, fashion which uniquely captures the style and spirit of the genre. His recording career was restricted to a few sessions between 1929 and 1934, from which around thirty double-sided '78s were released, first on Paramount and latterly on Vocalion, and that was the entirety of his recorded output before his premature death from a heart disorder in 1934 aged 45. This collection comprises the entirety of that canon, including six tracks on which he played guitar, with Henry Sims and Bertha Lee erspectively performing the vocals. Anyone seriously interested in the blues and it's history needs to have heard Charley Patton, and this anthology provides a comprehensive overview of his work.

Rumon Gamba leads the BBC Philharmonic in this collection of lesser-known pieces by the British composer Sir Malcolm Arnold. Born in 1921, he was inspired by Louis Armstrong to take up the trumpet at the age of twelve. Following study at the Royal College of Music, in London, he became Principal Trumpet of the London Philharmonic, in 1943 - a post he held (bar one season at the BBC Symphony Orchestra) until he moved to composing full time, in 1948. Arnold was active in many genres, writing nine symphonies, two operas, five ballets, and more than 100 film scores, including The Bridge on the River Kwai for which he won an Oscar. This album features music from across his compositional career, from Larch Trees (1943) to the Philharmonic Concerto (1976) - both works written for the London Philharmonic. His Divertimento was written for the newly formed National Youth Orchestra, whilst the BBC commissioned the Commonwealth Christmas Overture for the twenty-fifth anniversary of King George VI's first Christmas Broadcast, in 1932. The Clarinet Concerto No. 1, expertly performed here by Michael Collins, was written for Frederick ('Jack') Thurston who gave the première, in 1949, at the Edinburgh Festival. The album concludes with Philip Lane's orchestration of The Padstow Lifeboat, originally composed for brass band to celebrate the launch of a new lifeboat in Padstow in 1968.

After leaving the boys' choir of St. Stephens Cathedral in Vienna, one of the ways the young Haydn found to support himself was as a harpsichord teacher. The three early sonatas featured on this recording were almost certainly intended for his students short, light pieces with few technical demands. The two larger sonatas, both in the key of E flat major, were written some twenty years later and are far more extensive. Both require significantly greater prowess from the performer, and represent Haydn's ingenuity and skill to the full. The two additional works included here, whilst single-movement compositions, are substantial pieces. The Adagio ma non troppo would become the slow movement of Piano Trio No. 36 whilst the Variations on 'Gott erhalte' is based on the second movement of the 'Emperor' Quartet, which is itself a set of variations on an anthem composed by Haydn at the request of an Austrian politician for the 29th birthday of the Emperor, and intended as a patriotic hymn comparable to 'God Save the King' in England- and a response against the Marseillaise.