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Haydn / Blondeel / Reyn - Piano Concerto in D Major - COMPACT DISCS [CD]

SKU: 10583051

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Bart Van Reyn and Le Concert d'Anvers delve into two of Joseph Haydn's lesser-known symphonies. Dating from the autumn of 1784, when Haydn was nearing the end of his employment at the Esterházy court, both seem to anticipate the Paris symphonies that would shortly follow. Having been largely overlooked by historically informed performance specialists, Van Reyn's reading highlights the pair's mutual sense of artistic ambition, drawing out their concise but powerful musical drama. These are accompanied with Haydn's effervescent Piano Concerto in D major, featuring Belgian fortepianist Lucas Blondeel. Blondeel demonstrates his clear affinity with Haydn's solo writing, rendering a performance that captures the concerto's elegance while always sparkling with it's composer's characteristic wit.

Specifications

  • Genre
    Classical
    Description
    Bart Van Reyn and Le Concert d'Anvers delve into two of Joseph Haydn's lesser-known symphonies. Dating from the autumn of 1784, when Haydn was nearing the end of his employment at the Esterházy court, both seem to anticipate the Paris symphonies that would shortly follow. Having been largely overlooked by historically informed performance specialists, Van Reyn's reading highlights the pair's mutual sense of artistic ambition, drawing out their concise but powerful musical drama. These are accompanied with Haydn's effervescent Piano Concerto in D major, featuring Belgian fortepianist Lucas Blondeel. Blondeel demonstrates his clear affinity with Haydn's solo writing, rendering a performance that captures the concerto's elegance while always sparkling with it's composer's characteristic wit.
    Artist
    HAYDN / BLONDEEL / REYN
    Title
    Piano Concerto in D Major
    Format
    CD
    Label
    Fuga Libera Label
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Bart Van Reyn and Le Concert d'Anvers delve into two of Joseph Haydn's lesser-known symphonies. Dating from the autumn of 1784, when Haydn was nearing the end of his employment at the Esterházy court, both seem to anticipate the Paris symphonies that would shortly follow. Having been largely overlooked by historically informed performance specialists, Van Reyn's reading highlights the pair's mutual sense of artistic ambition, drawing out their concise but powerful musical drama. These are accompanied with Haydn's effervescent Piano Concerto in D major, featuring Belgian fortepianist Lucas Blondeel. Blondeel demonstrates his clear affinity with Haydn's solo writing, rendering a performance that captures the concerto's elegance while always sparkling with it's composer's characteristic wit.

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Vasso Devetzi (1927-1987) was Born in Thessaloniki, Greece. She first performed in public at age seven. Her international career began in Paris when she played the Schumann Piano Concerto under Albert Wolff. Subsequently, she performed throughout the world with leading orchestras, from Athens to Brussels, Rio to Helsinki, and Stockholm to Zagreb. She lived for long periods in the 1960s and 70s in the former Soviet Union, where she often collaborated in concerts with Rudolf Barshai, David Oistrakh, Mstislav Rostropovich and Galina Vishnevskaya. Born in the former Soviet Union, Rudolf Barshai (1924-2010) was a renowned violist and conductor. As a violist, he appeared with Sviatoslav Richter and David Oistrakh and was in a trio with Mstislav Rostropovich and Leonid Kogan. His conducting career began with his founding of the Moscow Chamber Orchestra. Under Barshai, they became world famous and have made numerous recordings. After his emigration to Israel in 1977, he directed the Israel Chamber Orchestra. Subsequent conducting posts included the Vancouver Symphony, the national Orchestra of France and the Bournemouth Symphony. In addition, he was a permanent guest conductor with many orchestras throughout the world.

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