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The Heil PR28 Drum/Tom Microphone is a dynamic wired XLR microphone designed for drums and percussion, including snare, tom, bongos, congas, and similar instruments. It features a wide frequency response to capture both low-end resonance and high-frequency attack, supporting accurate audio reproduction in live stage and studio recording environments. The dual suspension dynamic element helps reduce vibration and mechanical noise, while its directional design supports isolation of the target instrument from nearby sound sources. Built to handle high sound pressure levels, it is suitable for close-miking applications and can be used in various musical and audio setups where controlled sound capture is required.

The Heil PR30 microphone steps up the professional audio game by adding a humbucking coil in addition to the shock-mounted large 1.5 inch. low mass diaphragm to virtually run noise-free in almost any situation. When working in close proximity to PC monitors in the studio, or near neon lights, or other electrical sources on stage, the PR30 is the microphone to use for quiet, flawless operation on drums, guitar cabinets, and vocals. The PR30 is often compared to high priced ribbon microphones for its wide frequency response and immaculate sound quality. The difference is the PR30 is able to withstand sound pressure levels that would decimate ribbon microphones. The PR 30 is perfect as a guitar and amplifier cabinet microphone, as well as for drums, but it is also right at home as a vocal microphone, thanks to its internal passive filtering and uniquely designed screen, which virtually eliminates popping and sibilance during up-close vocals. The versatility and quality built into the PR30 make it the choice of some of the top professional musicians, producers, and broadcasters in today's world. The PR30 ships with a mic clip and a leatherette carry bag.

The new WA-87 R2 uses top-quality components like a NOS Fairchild transistor and high-bandwidth polystyrene and film capacitors from Wima. The WA-87 R2 uses a custom-wound Cinemag USA output transformer like the original WA-87 did, with the new version providing a slightly increased output level and improved frequency response. We also employed the same capsule the WA-87 uses, which was designed to the exact specifications of the ones found in the vintage mics. The WA-87 R2 also features three polar patterns (cardioid, omni and figure 8) so you're covered for a wide variety of applications, and an 80Hz high pass filter reduces low-frequency rumble if needed. The switchable -10dB pad comes in handy when you want to record extremely loud sources and not overload the internal electronics. The WA-87 R2 works brilliantly on vocals, drum overheads, guitars, piano, auxiliary percussion, brass, strings and more. Not only that, it's the same price as the original WA-87, so you can afford to have several in your mic locker!

Introducing DJI Mic Mini, a wireless microphone that packs powerful performance into an ultralight body. It ensures stable transmission of high-quality audio, boasts extended battery life, and features direct connection with products in the DJI OsmoAudio ecosystem. Experience detail-rich sound recording that elevates your content creation experience. With a simple flip of the case, you are ready to add high-quality audio to any project.
| Pros for Heil Sound - PR28 Drum/Tom Dynamic XLR Microphone for Snare, Tom and Percussion Instruments | |||
|---|---|---|---|
| There were no pros for this product— | There were no pros for this product— | There were no pros for this product— | Sound Quality, Portability, Battery Life, Size, Connectivity |
| Cons for Heil Sound - PR28 Drum/Tom Dynamic XLR Microphone for Snare, Tom and Percussion Instruments | |||
| There were no cons for this product— | There were no cons for this product— | There were no cons for this product— | Compatibility, Button Layout |