Herve Joulain - L’appel du Cor - Works for Horn and Piano - COMPACT DISCS [CD]
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L'Appel du Cor / The Call of the Horn (Works for Horn and Piano) - Beyond Stereotypes.The stereotype of the French is well known, it is a man with a beret on his head and a baguette under his arm. The stereotypical image of the horn is the hunting horn, the only vision that the general public has of an instrument that they hear nearly every day but that they know so little.So why does horn player Herve Joulain title his new CD InchL'Appel du CorInch (The Call of the Horn), why go into the field of cliche?First of all, the hunting horn is part of the history of the horn and it does not deny it. Then composers made this past, these origins, a source of musical inspiration. Whether rustic, thunderous, or poetic, they have made the softened, the 'tayaute', also the 'debuche de la plaine' and the famous 'halali' the material of their musical writing for the modern horn.Some of the pieces performed by Herve Joulain could be wrongly described as minor works, specific to the 'conservatory end-of-year competitions'. Here the horn player's playing shows us that they are far from it and deserve to be played and listened to. Thus, from Busser to Bozza, from Pugno to Planel, Herve Joulain's horn takes us on a journey among dreams and lullabies, legends and whims, right up to the feminine vision that composer Elsa Barraine has for the horn in her brass band.The horn player Herve Joulain and the pianist Fanny Azzuro interpret these works - some of which can be heard as premiere recordings - in a wonderfully musical way.- - -L'Appel du Cor (Werke fur Horn und Klavier) - Jenseits von Stereotypen.Das Klischee uber die Franzosen ist allseits bekannt - ein Mann mit Baskenmutze auf dem Kopf und einem Baguette unter dem Arm. Das stereotype Bild des Horns ist das des Jagdhorns - die einzige Vorstellung, die die breite offentlichkeit von einem Instrument hat welches sie beinahe taglich hort,
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- GenreClassicalDescriptionL'Appel du Cor / The Call of the Horn (Works for Horn and Piano) - Beyond Stereotypes.The stereotype of the French is well known, it is a man with a beret on his head and a baguette under his arm. The stereotypical image of the horn is the hunting horn, the only vision that the general public has of an instrument that they hear nearly every day but that they know so little.So why does horn player Herve Joulain title his new CD InchL'Appel du CorInch (The Call of the Horn), why go into the field of cliche?First of all, the hunting horn is part of the history of the horn and it does not deny it. Then composers made this past, these origins, a source of musical inspiration. Whether rustic, thunderous, or poetic, they have made the softened, the 'tayaute', also the 'debuche de la plaine' and the famous 'halali' the material of their musical writing for the modern horn.Some of the pieces performed by Herve Joulain could be wrongly described as minor works, specific to the 'conservatory end-of-year competitions'. Here the horn player's playing shows us that they are far from it and deserve to be played and listened to. Thus, from Busser to Bozza, from Pugno to Planel, Herve Joulain's horn takes us on a journey among dreams and lullabies, legends and whims, right up to the feminine vision that composer Elsa Barraine has for the horn in her brass band.The horn player Herve Joulain and the pianist Fanny Azzuro interpret these works - some of which can be heard as premiere recordings - in a wonderfully musical way.- - -L'Appel du Cor (Werke fur Horn und Klavier) - Jenseits von Stereotypen.Das Klischee uber die Franzosen ist allseits bekannt - ein Mann mit Baskenmutze auf dem Kopf und einem Baguette unter dem Arm. Das stereotype Bild des Horns ist das des Jagdhorns - die einzige Vorstellung, die die breite offentlichkeit von einem Instrument hat welches sie beinahe taglich hort,ArtistHerve JoulainTitleL’appel du Cor - Works for Horn and PianoFormatCDLabelTyxart
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On the occasion of his 60th birthday, Herve Joulain is presenting - most of this first recordings - of composers who have dedicated these works to him partly. To be, in the truest sense of the word, a musician of his time, one must engage with today's composers and their works. This means having works dedicated to you that need to be created and promoted, entering into dialogue with the composers, inspiring them with your talent to create new works; it means exploring the instrument's possibilities and stimulating the musician's abilities to venture down bold and hitherto unexplored paths. This is achieved here in an exemplary manner!
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