Hide - Interior Terror - VINYL LP
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Hide's third album, Interior Terror further abandons traditional concepts of song structure in favor of splintered rhythms and fevered, immediate . Expanding on previous themes of autonomy and empowerment, Interior Terror addresses and questions the corporeal and immaterial body in a physical and metaphysical sense. Turning to the dread inside, reflecting on the world around us, Hide gives voice to the power of destruction as a catalyst for hope, and to the collective experiences of those who've come before us as a wellspring of our own power. Raw vocal delivery of mantra-like prose issued forth yields a raging, plaintive wail that lulls, mocks, questions, proclaims and decries. A dearth of collected field recordings give way to more fluid arrangements while retaining a scathing urgency. The result is minimal, spacious, and jarring; a distant knocking grown into the pulse of a hypnotic dirge, drones emerge from shards of decomposed sound, bending, seething their way through your body.InchDo Not Bow DownInch loops the driving, off kilter rhythm of a skipping Depeche Mode CD with the twisted trill of a sampled composition by quarter note pianist and composer Mildred Couper to produce a madly spinning otherworld where self-immolation serves as your most positive contribution to society. InchNightmareInch explodes, unrelenting; conflating time and space to the beat of repeated blows to the head. A reflection on perpetual suffering, generational traumas and the transformative action of . Title track InchInterior TerrorInch belies a new brand of body horror informed by the systemic enforcement of a contemporary Western gender binary, touching on experiences of dysphoria and disassociation. InchFearInch answers the question 'Where do cops come from' in the opening line 'Straight from God's cunt to the death cult', belittling the pathetic and repeated attempts of man to acc
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- GenreDance and electronicDescriptionHide's third album, Interior Terror further abandons traditional concepts of song structure in favor of splintered rhythms and fevered, immediate . Expanding on previous themes of autonomy and empowerment, Interior Terror addresses and questions the corporeal and immaterial body in a physical and metaphysical sense. Turning to the dread inside, reflecting on the world around us, Hide gives voice to the power of destruction as a catalyst for hope, and to the collective experiences of those who've come before us as a wellspring of our own power. Raw vocal delivery of mantra-like prose issued forth yields a raging, plaintive wail that lulls, mocks, questions, proclaims and decries. A dearth of collected field recordings give way to more fluid arrangements while retaining a scathing urgency. The result is minimal, spacious, and jarring; a distant knocking grown into the pulse of a hypnotic dirge, drones emerge from shards of decomposed sound, bending, seething their way through your body.InchDo Not Bow DownInch loops the driving, off kilter rhythm of a skipping Depeche Mode CD with the twisted trill of a sampled composition by quarter note pianist and composer Mildred Couper to produce a madly spinning otherworld where self-immolation serves as your most positive contribution to society. InchNightmareInch explodes, unrelenting; conflating time and space to the beat of repeated blows to the head. A reflection on perpetual suffering, generational traumas and the transformative action of . Title track InchInterior TerrorInch belies a new brand of body horror informed by the systemic enforcement of a contemporary Western gender binary, touching on experiences of dysphoria and disassociation. InchFearInch answers the question 'Where do cops come from' in the opening line 'Straight from God's cunt to the death cult', belittling the pathetic and repeated attempts of man to accArtistHideTitleInterior TerrorFormatVINYLLabelDais
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Hide's third album, Interior Terror further abandons traditional concepts of song structure in favor of splintered rhythms and fevered, immediate . Expanding on previous themes of autonomy and empowerment, Interior Terror addresses and questions the corporeal and immaterial body in a physical and metaphysical sense. Turning to the dread inside, reflecting on the world around us, Hide gives voice to the power of destruction as a catalyst for hope, and to the collective experiences of those who've come before us as a wellspring of our own power. Raw vocal delivery of mantra-like prose issued forth yields a raging, plaintive wail that lulls, mocks, questions, proclaims and decries. A dearth of collected field recordings give way to more fluid arrangements while retaining a scathing urgency. The result is minimal, spacious, and jarring; a distant knocking grown into the pulse of a hypnotic dirge, drones emerge from shards of decomposed sound, bending, seething their way through your body.InchDo Not Bow DownInch loops the driving, off kilter rhythm of a skipping Depeche Mode CD with the twisted trill of a sampled composition by quarter note pianist and composer Mildred Couper to produce a madly spinning otherworld where self-immolation serves as your most positive contribution to society. InchNightmareInch explodes, unrelenting; conflating time and space to the beat of repeated blows to the head. A reflection on perpetual suffering, generational traumas and the transformative action of . Title track InchInterior TerrorInch belies a new brand of body horror informed by the systemic enforcement of a contemporary Western gender binary, touching on experiences of dysphoria and disassociation. InchFearInch answers the question 'Where do cops come from' in the opening line 'Straight from God's cunt to the death cult', belittling the pathetic and repeated attempts of man to acc
A vibrant electronic fusion of lounge, jazz, and disco is maybe not the first (or fifth) thing you would expect to hear from one of the world's most renowned modern composers and ambient tape loop pioneers, but upon first listen, it makes so much sense that one wonders why it didn't happen sooner.After years of producing and mentoring slews of young artists in 1990s Williamsburg, Brooklyn, William Basinski moved to Los Angeles. There he hired a young studio assistant, Preston Wendel, who eventually introduced his own works to the curious composer. That spawned a creative partnership that inspired Wendel to persuade Basinski to haul out his saxophone. Five years later, SPARKLE DIVISION has arrived with their enchanting debut album, To Feel Embraced.Produced by SPARKLE DIVISION at Basinski's Musex International in Los Angeles, the duo were joined by a few notable friends Mrs. Leonora Russo (who Basinski affectionately calls Inchthe true Sicilian Sparkle Division, my Brooklyn Mom, the Queen of WilliamsburgInch) offers her sparkling voice to InchQueenie Got Her BluesInch; fabled free-jazz icon and genuine bodhisattva, the late Henry Grimes, contributed upright bass and violin to the aptly-named InchOh Henry!Inch (InchLotta babies gonna be born from this one,Inch Henry and Margaret Davis Grimes playfully declared); and London vocalist Xeli Grana offers her ethereal voice to the album's meditative title track.Conceived and nearly completed in 2016, the increasing environmental and political infernos gave Basinski and Wendel cold feet about unleashing a record intended to be fun, loving, and prone to bouts of euphoria. But as Basinski exclaimed, InchWell, damn it, if the time ain't right now, it never will be! Let's do this!Inch
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Digitally remastered and expanded edition. Lost masterpiece London Stone (1991) was the follow-up to New River Head. Opening with traditional violin piece 'Stonedance' by Barry Dransfield it leads into the impressive 'Coming Round'. InchThat Same MorningInch 'can stand proudly beside contemporaries like Teenage Fanclub' (Pitchfork) whilst 'Living Soul' sees Saloman waxing Hendrix and 'Lord Of Nothing' revisits the folk rock side of Nick's songwriting. Includes bonus tracks 'Another Song About Dying', 'Coming Around (demo), 'Scavenger', 'And Now She's Gone (demo), 'I Am Just A Child' and 'Hail The Child Philosopher'.
Rexmanningday. - Rexmanningday. [VINYL LP] date 04/13/2018
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