Hindemith / Petermandl - Piano Works 4 / Ludus Tonalis - COMPACT DISCS [CD]
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Hindemith / Petermandl - Piano Works 4 / Ludus Tonalis [COMPACT DISCS] date 12/17/1992
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- GenreClassicalDescriptionHindemith / Petermandl - Piano Works 4 / Ludus Tonalis [COMPACT DISCS] date 12/17/1992ArtistHINDEMITH / PETERMANDLTitlePiano Works 4 / Ludus TonalisFormatCDLabelMarco Polo
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Hindemith's InchLudus tonalisInch which is presented on this CD was composed in the American exile. It is not only the composer's last work for piano solo, but also one of the most important works of piano compositions of the 20th century. To show what music and composition are This is what Hindmith tried to undertake in his InchLudus tonalisInch. The basis for harmonic practice and tonal structure presented in InchThe Craft of Musical CompositionInch finds direct application in the final concept of the InchLudus tonalisInch. Heinrich Strobel, musicologist and Hindemith's first biographer called InchLudus tonalisInch the InchWell-Tempered PianoInch of the 20th century. Composer Fritz von Borries said InchWhat has here become music is not a mathematical problem or experiment, but a deep spiritual triumph, in which ultimate reason and ultimate being are revealed. How can the meaning of Praeludium and Postludium be more clearly represented than by letting that which began in the beginning appear in the end and run it's course in reverse direction and vertically inverted? And what wonderful music it is both times.Inch
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Paul Hindemith's works for piano have been completely released on CD now, with Siegfried Mauser as pianist. InchHindemith's Klaviermusik op. 37 shows the wayInch, wrote Eberhard Preuner already in 1927, Inchstrict thematic forms are combined with sweeping improvisational lines, melody is pitted against melody, everywhere you hear a style derived from pure chamber music.Inch The individual movements of the InchTanzstückeInch op. 19 have clearly more the character of ballet music than that of a sequence of popular dances. Parallel fourths and sevenths clusters as well as parallel shifts of entire chords in the foreground are earmarks of Hindemith's textural technique in the early 1920s.
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