Hiss Golden Messenger - Terms Of Surrender - COMPACT DISCS [CD]
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Songwriter and bandleader M.C. Taylor's music is at once familiar, yet impossible to categorize Elements from the American songbook-the steady, churning acoustic guitar and mandolin, the gospel emotion, the eerie steel guitar tracings, the bobbing and weaving organ and electric piano-provide the bedrock for Taylor's existential ruminations about parenthood, joy, hope, and loneliness-our delicate, tightrope balance of dark and light-that offer fully engaged contemporary commentary on the present. And then there's an indescribable spirit and movement Hiss Golden Messenger's music grooves. There's nothing else quite like it.Taylor says that he wanted to make Terms of Surrender Incha wandering record. I wanted where we recorded it to mirror the searching spirit of the music.Inch Having written upwards of 40 songs-in motel rooms, his studio in North Carolina, and a secluded cottage outside of Charlottesville, Virginia-Taylor winnowed them down to the ten works that comprise Terms of Surrender. With regular collaborators-including Phil and Brad Cook, Josh Kaufman, and Matt McCaughan-and new friends like Jenny Lewis and Aaron Dessner (of The National), the crew decamped to Dessner's Long Pond studio in upstate New York, Sound City in Los Angeles, and producer Roger Moutenot's Haptown studio in Nashville to create the most fully realized and genre-defying Hiss Golden Messenger album to date.
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- GenreRockDescriptionSongwriter and bandleader M.C. Taylor's music is at once familiar, yet impossible to categorize Elements from the American songbook-the steady, churning acoustic guitar and mandolin, the gospel emotion, the eerie steel guitar tracings, the bobbing and weaving organ and electric piano-provide the bedrock for Taylor's existential ruminations about parenthood, joy, hope, and loneliness-our delicate, tightrope balance of dark and light-that offer fully engaged contemporary commentary on the present. And then there's an indescribable spirit and movement Hiss Golden Messenger's music grooves. There's nothing else quite like it.Taylor says that he wanted to make Terms of Surrender Incha wandering record. I wanted where we recorded it to mirror the searching spirit of the music.Inch Having written upwards of 40 songs-in motel rooms, his studio in North Carolina, and a secluded cottage outside of Charlottesville, Virginia-Taylor winnowed them down to the ten works that comprise Terms of Surrender. With regular collaborators-including Phil and Brad Cook, Josh Kaufman, and Matt McCaughan-and new friends like Jenny Lewis and Aaron Dessner (of The National), the crew decamped to Dessner's Long Pond studio in upstate New York, Sound City in Los Angeles, and producer Roger Moutenot's Haptown studio in Nashville to create the most fully realized and genre-defying Hiss Golden Messenger album to date.ArtistHiss Golden MessengerTitleTerms Of SurrenderFormatCDLabelMerge Records
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Songwriter and bandleader M.C. Taylor's music is at once familiar, yet impossible to categorize Elements from the American songbook-the steady, churning acoustic guitar and mandolin, the gospel emotion, the eerie steel guitar tracings, the bobbing and weaving organ and electric piano-provide the bedrock for Taylor's existential ruminations about parenthood, joy, hope, and loneliness-our delicate, tightrope balance of dark and light-that offer fully engaged contemporary commentary on the present. And then there's an indescribable spirit and movement Hiss Golden Messenger's music grooves. There's nothing else quite like it.Taylor says that he wanted to make Terms of Surrender Incha wandering record. I wanted where we recorded it to mirror the searching spirit of the music.Inch Having written upwards of 40 songs-in motel rooms, his studio in North Carolina, and a secluded cottage outside of Charlottesville, Virginia-Taylor winnowed them down to the ten works that comprise Terms of Surrender. With regular collaborators-including Phil and Brad Cook, Josh Kaufman, and Matt McCaughan-and new friends like Jenny Lewis and Aaron Dessner (of The National), the crew decamped to Dessner's Long Pond studio in upstate New York, Sound City in Los Angeles, and producer Roger Moutenot's Haptown studio in Nashville to create the most fully realized and genre-defying Hiss Golden Messenger album to date.
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In M.C. Taylor's own words The writing of the songs that became Heart Like a Levee started in a hotel room in Washington, DC, in January of 2015 during a powerful storm that darkened the East Coast. At that time I was feeling-more acutely than I had ever felt before-wrenched apart by my responsibilities to my family and to my music. Forgetting, momentarily, that for me, each exists only with the other. How could I forget? Though maybe my lapse was reasonable I had just quit my job, the most recent and last, in a series of dead-end gigs stretching back 20 years, with the vow that my children would understand their father as a man in love with his world and the inventor of his own days. They would be rare in that regard. And then-driven by monthly bills and pure fear-I left for another tour, carrying a load of guilt that I could just barely lift. But in that snowy hotel room I found the refrain that became my compass I was a dreamer, babe, when I set out on the road; but did I say I could find my way home?
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Hiss Golden Messenger return on Merge Records in October 2016 with their sixth full-length album Heart Like a Levee. The eleven songs on Heart Like a Levee are immediate, dealing with themes that include leaving and returning, belief and trust, guilt, honesty, and life on the road. Hiss Golden Messenger creative force M.C. Taylor says, InchI wrote these songs during a time of transition and doubt. The process was raw, but also joyous. I spent a lot of time with these words and chords in all types of weather. In the end I learned more about myself making this record than any in the past, and that's one important way for me to gauge whether an album was worth making. I want to make records that feel both minor- and major-key at the same time; maybe 'bittersweet' is a good word for it. Life is simultaneously happy and sad at once, and that's how I want my records to feel. I think that's how Heart Like a Levee feels.Inch The highly anticipated was self-produced by Taylor and Bradley Cook and recorded in Durham, NC, with Taylor's close-knit North Carolina collaborators brothers Phil and Bradley Cook on piano and bass, respectively;Matt McCaughan on drums; Tift Merritt and Alexandra Sauser-Monnig on backing vocals; and Matt Douglas and Michael Lewis on horns.
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