Holger Groschopp - Early Masterpieces - COMPACT DISCS [CD]

Album Tracks 1. Sonatina No. 6, Kammerfantasie Super Carmen 2. No. 4. Herzlich Tut Mich Erfreuen 3. No. 5. Schmucke Dich, O Liebe Seele 4. No. 8. Es Ist Ein Ros' Entsprungen 5. No. 9. Herzlich Tut Mich Verlangen 6. No. 10. Herzlich Tut Mich Verlangen 7. No. 11. O Welt, Ich Muss Dich Lassen 8. Violin Partita No. 2 in D minor, BWV 1004 V. Chaconne (Arr. F. Busoni) 9. Beethoven - 6 Ecossaises, Woo 83 10. 3 Klavierstucke, Op. 11 No. 2. Massig (Arr. F. Busoni) 11. Gotterdammerung (Twilight of the Gods), Act III Siegfrieds Trauermarsch (Siegfried's Funeral March) (Arr. F. Busoni) 12. Trascrizione Di Concerto Sopra Motivi Dell'opera Merlin 1. I. Fuga I - Fuga II - Fuga III 2. II. Intermezzo Variazione 1 - Variazione 2 - Variazione 3 - Cadenza 3. III. Fuga IV - Stretta 4. String Quartet No. 1 in E minor Scherzo (Arr. F. Busoni) 5. Piano Concerto No. 9 in E Flat Major, K. 271, Jeunehomme II. Andantino (Arr. F. Busoni) 6. Don Giovanni, K. 527, Act II Deh! Vieni Alla Finestra, Serenade (Arr. F. Busoni) 7. Les Contes D'hoffmann (The Tales of Hoffmann), Act II Belle Nuit, O Nuit D'amour, Barcarolle (Arr. F. Busoni) 8. Annees de Pelerinage, 2nd Year, Italy Supplement, S162/R10 Venezia E Napoli I. Gondoliera (Arr. F. Busoni) 9. I. Fantasia Moderato (Un Poco Maestoso) 10. II. Adagio 11. III. Fuga Allegretto Con Moto 12. The Well-Tempered Clavier, Book I Prelude and Fugue No. 1 in C Major, BWV 846, Widmung (Dedication) (Arr. F. Busoni) 1. Prelude Moderato Maestoso 2. Cadenza 3. Fugue Sostenuto E Tranquillo - Allegro Risoluto Ed Energico 4. 5 Kurze Stucke Zur Pflege Des Polyphonen Spiels No. 5. Adagio 5. Adagio and Fugue in C minor, K. 546 (Arr. F. Busoni) 6. An Die Jugend III. Giga, Bolero E Variazione 7. Fantasie Uber Motive Aus Der Barbier Von Bagdad Von Peter Cornelius 8. Fantasia Nach J.S. Bach

Gigli Volume 14 - Gigli Volume 14 [COMPACT DISCS] date 10/31/2006

While art history defines as InchÉcole de ParisInch an art-historical phenomenon, i.e. a large group of visual artists of non-French origin, many of them of Eastern European and Jewish descent, who worked in the French capital in the first decades of the twentieth century, musicology and musical life in general still find it difficult to recognize as music-historical reality an InchÈcole de ParisInch with the same complexity and seminal influence. On the occasion of the 100th anniversary of it's first appearance in the musical context, the 100th anniversary of the world premiere of Strawinsky's seminal Octet and the 100th anniversary of George Antheil's arrival in Paris, the present recording takes the opportunity to scrutinize the term InchÉcole de ParisInch and to define it more clearly against the background of the enormous stylistic diversity of the various groups that came together in Paris of the1920s, their amicable interrelationships and reciprocal influences beyond the epochal break of 1939-45. Album Tracks 1. I. Pastorale Allant [03 48] 2. II. Romance Souple [04 25] 3. III. Gigue Anime [05 07] 4. No. 1. Andantino [08 27] 5. No. 2. Tempo Giusto [12 39] 6. Concerto for Chamber Orchestra [16 20] 7. I. Allegro Non Troppo [05 23] 8. II. Andantino [04 54] 9. III. Allegro Assai [04 51] 10. I. Sinfonia [04 17] 11. II. Tema Con Variazioni [07 54] 12. III. Finale [03 37]