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In 2020 Brooklyn's Holy Hive introduced us all to something we didn't know we needed. Homer Steinweiss' thickly pocketed drumming paired with Paul Spring's floaty falsetto vocal produces a sound that's like a salve. It's been dubbed Folk Soul and Holy Hive not only expertly overlay the more apparent musical aspects of folk and soul-but they also draw from the more profound being able to pull traditions from the past and make them their own. When Homer wasn't playing drums for Lady Gaga or Adele or Bruno Mars, he'd produce Paul's solo folk records. Along with original bassist and frequent collaborator Joe Harrison, these sessions proved to be Holy Hive's foundation. And their first record, Float Back to You, expertly combined what each musician does best Paul's heady, reflective approach to folk with Homer's universal classic soul sound. With their new record released on Big Crown, Holy Hive's beautifully simple-and-sparse Folk Soul sound is back-but updated. With new influences and the challenge of creating and capturing music during a global pandemic, this new self-titled album, is more personal, more reflective. The first single off of Holy Hive, InchI Don't Envy Yesterdays,Inch picks up right where Homer and Paul left off. The song weighs the question of time and the human condition-a deeply thoughtful and typically tricky subject-but in a light, almost easy-breezy way. Homer's drumming provides the song a space, a kind of breathing room. Written in the Yucca Valley desert before the world broke in 2020, it's no wonder Paul's voice drifts and darts on top of it all like a heat shimmer. They describe three distinct phases when piecing together Holy Hive this first stage was pre-pandemic in California while traveling as a group, then-like the rest of us-they were separated, creating together but apart, and lastly an explosion of output once they reunited in New Yo

Easily one of the most important records ever made, John Coltrane's a Love Supreme was his pinnacle studio outing that at once compiled all of his innovations from his past, spoke of his current deep spirituality, and also gave a glimpse into the next two and a half years (sadly, those would be his last). Recorded at the end of 1964, Trane's classic quartet of Elvin Jones, McCoy Tyner, and Jimmy Garrison stepped into the studio and created one of the most thought-provoking, concise, and technically pleasing albums of their bountiful relationship (not to mention his best-selling to date). from the flowing (and classic) bass line at the intro to the last breathy notes, Trane is at the peak of his logical yet emotionally varied soloing while the rest of the group is remarkably in tune with Coltrane's spiritual vibe. Composed of four parts, each has a thematic progression leading to an understanding of spirituality through meditation. Album Tracks 1. Love Supreme, Pt. 1 Acknowledgement 2. Love Supreme, Pt. 2 Resolution 3. Love Supreme, Pt. 3 Pursuance/Pt. 4 Psalm

Limited 180gm vinyl LP pressing. This 30th anniversary edition of Beastie Boys' debut album Licensed To Ill is cut from original production masters and presented on 180gm heavyweight vinyl. The album is back-to-back classic Beastie Boys anthems including InchHold It Now, Hit It,Inch InchBrass Monkey,Inch Inch(You Gotta) Fight For Your Right (To Party),Inch InchNo Sleep Till BrooklynInch (featuring Slayer's Kerry King) and InchGirls.Inch Licensed To Ill is the first Hip Hop album to top the Billboard 200 and in 2015 it was certified Diamond by the RIAA. In 1998, the album was selected as one of The Source's 100 Best Rap Albums. It is the only album by a Jewish hip-hop act to receive five mics from The Source. In 2003, the album was ranked number 217 on Rolling Stone magazine's list of the 500 greatest albums of all time and in 2013 the magazine named it the best debut album of all time. Vibe included it in Vibe's 100 Essential Albums of the 20th Century. Album Tracks 1. Rhymin & Stealin 2. The New Style 3. She's Crafty 4. Posse in Effect 5. Slow Ride 6. Girls 7. (You Gotta) Fight for Your Right (To Party!) 8. No Sleep Till Brooklyn 9. Paul Revere 10. Hold It Now, Hit It 11. Brass Monkey 12. Slow and Low 13. Time to Get Ill

Limited vinyl LP repressing in gatefold jacket. Off the Wall is the fifth solo studio album by Michael Jackson. It was released on August 10, 1979, following Jackson's critically well-received film performance in The Wiz. While working on that project, Jackson and Quincy Jones had become friends, and Jones agreed to work with Jackson on his next studio album. Recording sessions took place between December 1978 and June 1979 at Allen Zentz Recording, Westlake Recording Studios, and Cherokee Studios in Los Angeles, California. Jackson collaborated with a number of other writers and performers such as Paul McCartney, Stevie Wonder and Rod Temperton. Five singles were released from the album. It was his first solo under Epic Records, the tag he would record on until his death roughly 30 years later. Album Tracks 1. Don't Stop 'Til You Get Enough 2. Rock with You 3. Workin' Day and Night 4. Get on the Floor 1. Off the Wall 2. Girlfriend 3. She's Out of My Life 4. I Can't Help It 5. It's the Falling in Love 6. Burn This Disco Out