Hope of the States - Lost Riots - VINYL LP
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About this product
Long unavailable, this album makes a welcome return as a 2LP pressing on battered metal colour vinyl. The album included an additional 4 non-album tracks from the era as chosen by front man and main songwriter Sam Herlihy. 'The Lost Riots' was the debut album and includes 'Black Dollar Bills', 'Enemies/Friends', and 'The Red the White the Black the Blue'. The band have reformed and will be playing a handful of live dates in October.
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- GenreRockDescriptionLong unavailable, this album makes a welcome return as a 2LP pressing on battered metal colour vinyl. The album included an additional 4 non-album tracks from the era as chosen by front man and main songwriter Sam Herlihy. 'The Lost Riots' was the debut album and includes 'Black Dollar Bills', 'Enemies/Friends', and 'The Red the White the Black the Blue'. The band have reformed and will be playing a handful of live dates in October.ArtistHope of the StatesTitleLost RiotsFormatVINYLLabelSony Uk
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Long unavailable, this album makes a welcome return as a 2LP pressing on battered metal colour vinyl. The album included an additional 4 non-album tracks from the era as chosen by front man and main songwriter Sam Herlihy. 'The Lost Riots' was the debut album and includes 'Black Dollar Bills', 'Enemies/Friends', and 'The Red the White the Black the Blue'. The band have reformed and will be playing a handful of live dates in October.
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Reissue of the 80s 12Inch single from Trinidadian musician Oluko Imo (Black Truth Rhythm Band), featuring Fela Kuti and Femi Kuti. Recorded between Lagos and New York in 1988, the tracks sit at the fault line of the Trinidad-Yoruba connection, blending calypso heritage with the Afrobeat and jazz of Nigeria. On the A-side, title track 'Oduduwa' is a brooding slice of peak-era Transatlantic Afrobeat, blending a heartfelt plea for social justice and equality with a haunting piano line, shuffling drums and ethereal sax solo. The song takes it's name from Oduduwa, the founder of the Ife Empire, who is also seen as a divine Orisha (deity) in Yoruba culture, one that is often evoked by musicians and activists in Trinidad as a signifier of Yoruba heritage on the island. On the flip, 'Eyes Are Getting Red (Were Oju Le)' is a long-lost slice of low slung Afrobeat featuring both Fela and Femi Kuti. Classic Nigerian horns and keys combine with Oluko Imo's Caribbean-influenced guitar and Fela's virtuoso sax solo, bridging the musical gap between Lagos and Port of Spain.A1. Oduduwa B1. Were Oju Le (The Eyes Are Getting Red)
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