Hyper Gal - Our Hyper (YELLOW VINYL) - VINYL LP
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Yellow Vinyl, Includes Collectible Double-Side InchFootlongInch OBI. Hyper Gal are restless. Since 2019, Kansai's minimalist duo has been in persistent, perpetual motion. In January of 2024, SKiN GRAFT Records introduced Hyper Gal to western audiences, giving the previously self-released album InchPureInch a worldwide . It was followed by InchAfter ImageInch; a new full-length record; in September of that same year. In short order Hyper Gal left Japan to embark on a month-long European tour, performing at festivals such as Left of the Dial in Rotterdam and Le Guess Who? in Utrecht. Consisting of Koharu Ishida (vocals) and Kurumi Kadoya (drums), Hyper Gal craft a sound all their own, characterized by avant-garde rhythms, looping landscapes, and hypnotic vocals. Their music resists traditional genre boundaries to carve out a truly singular sonic space.With their fourth album InchOur HyperInch, Hyper Gal thrust their sound into a deeper, harder core. Songs unfold into surprising shapes, embracing shadowy turns emboldened by a heavier low-end, while unearthing sharp takes on Japan's harsh noise roots. The drums have grown even more acrobatic and unorthodox, while the vocals take on new colors, shifting from mesmerizing repetition to melodic, pop-tinged expression.The album's artwork is no less adventurous and features masks created by contemporary artist Tokiyoshi Akina and photographed in the band's own hands, signaling resistance to the performative dualities of social media and a commitment to authenticity.Despite the lean, unadorned two-piece setup, Hyper Gal's music attains an intense and unmistakable presence - an unwavering momentum driven by an unrelenting intent. InchOur HyperInch is Hyper Gal amplified.InchWith each they appear as mirage sculptors, using simple tools (drums, keyboards, vocals) in craft of multi-genre spanning work which only becomes more capt
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- GenreRockDescriptionYellow Vinyl, Includes Collectible Double-Side InchFootlongInch OBI. Hyper Gal are restless. Since 2019, Kansai's minimalist duo has been in persistent, perpetual motion. In January of 2024, SKiN GRAFT Records introduced Hyper Gal to western audiences, giving the previously self-released album InchPureInch a worldwide . It was followed by InchAfter ImageInch; a new full-length record; in September of that same year. In short order Hyper Gal left Japan to embark on a month-long European tour, performing at festivals such as Left of the Dial in Rotterdam and Le Guess Who? in Utrecht. Consisting of Koharu Ishida (vocals) and Kurumi Kadoya (drums), Hyper Gal craft a sound all their own, characterized by avant-garde rhythms, looping landscapes, and hypnotic vocals. Their music resists traditional genre boundaries to carve out a truly singular sonic space.With their fourth album InchOur HyperInch, Hyper Gal thrust their sound into a deeper, harder core. Songs unfold into surprising shapes, embracing shadowy turns emboldened by a heavier low-end, while unearthing sharp takes on Japan's harsh noise roots. The drums have grown even more acrobatic and unorthodox, while the vocals take on new colors, shifting from mesmerizing repetition to melodic, pop-tinged expression.The album's artwork is no less adventurous and features masks created by contemporary artist Tokiyoshi Akina and photographed in the band's own hands, signaling resistance to the performative dualities of social media and a commitment to authenticity.Despite the lean, unadorned two-piece setup, Hyper Gal's music attains an intense and unmistakable presence - an unwavering momentum driven by an unrelenting intent. InchOur HyperInch is Hyper Gal amplified.InchWith each they appear as mirage sculptors, using simple tools (drums, keyboards, vocals) in craft of multi-genre spanning work which only becomes more captArtistHyper GalTitleOur Hyper (YELLOW VINYL)FormatVINYLLabelSkin Graft Records
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Yellow Vinyl, Includes Collectible Double-Side InchFootlongInch OBI. Hyper Gal are restless. Since 2019, Kansai's minimalist duo has been in persistent, perpetual motion. In January of 2024, SKiN GRAFT Records introduced Hyper Gal to western audiences, giving the previously self-released album InchPureInch a worldwide . It was followed by InchAfter ImageInch; a new full-length record; in September of that same year. In short order Hyper Gal left Japan to embark on a month-long European tour, performing at festivals such as Left of the Dial in Rotterdam and Le Guess Who? in Utrecht. Consisting of Koharu Ishida (vocals) and Kurumi Kadoya (drums), Hyper Gal craft a sound all their own, characterized by avant-garde rhythms, looping landscapes, and hypnotic vocals. Their music resists traditional genre boundaries to carve out a truly singular sonic space.With their fourth album InchOur HyperInch, Hyper Gal thrust their sound into a deeper, harder core. Songs unfold into surprising shapes, embracing shadowy turns emboldened by a heavier low-end, while unearthing sharp takes on Japan's harsh noise roots. The drums have grown even more acrobatic and unorthodox, while the vocals take on new colors, shifting from mesmerizing repetition to melodic, pop-tinged expression.The album's artwork is no less adventurous and features masks created by contemporary artist Tokiyoshi Akina and photographed in the band's own hands, signaling resistance to the performative dualities of social media and a commitment to authenticity.Despite the lean, unadorned two-piece setup, Hyper Gal's music attains an intense and unmistakable presence - an unwavering momentum driven by an unrelenting intent. InchOur HyperInch is Hyper Gal amplified.InchWith each they appear as mirage sculptors, using simple tools (drums, keyboards, vocals) in craft of multi-genre spanning work which only becomes more capt
Lost & Profound are the Canadian duo, also husband and wife team of writer/producer Terry Tompkins and singer/composer Lisa Boudreau. Goodbye Mine -their 5th album and first in over a decade, was recorded at Toronto's Revolution Studios and was engineered by Dean Nelson, best known for his work with Beck, and mixed by Grammy award winning engineer, Oz Fritz whose resume includes The Ramones, Tom Waits, Bob Marley and John Cale. Tompkins is a well-known composer producer and founder of award winning sound design company The Eggplant Collective. Goodbye Mine, blends sounds from different musical genres such as folk, rock and sunshine pop. Boudreau's vocals are reminiscent of Mazzy Star's Hope Sandoval and PJ Harvey. Their debut self-titled album featured a Top 10 Canadian radio single InchBrand New Set of LiesInch and landed them a Juno nomination.
Yellow Vinyl. Enduringly credible, Magazine have always been the music connoisseur's choice; frequently name checked by some of the most gifted musicians of recent years including Radiohead, Morrissey, Jarvis Cocker, U2, Johnny Marr and MGMT. NME. Com went so far as to included Magazine in a poll as one of the most influential bands of all time. Created by frontman, Howard Devoto - who co-formed Buzzcocks with Pete Shelley - Magazine's sound focused on the double barrels of Dave Formula's swirling keyboards and John McGeoch's ahead-of-it's-time innovative guitar work, underpinned by Barry Adamson's pulsing yet deviously irregular basslines. Atop of this sat Howard Devoto's lyrics. Leading the vanguard of post-punk, their released four groundbreaking albums before disbanding. 1987's compilation, Rays & Hails, is repressed for the first time on colored vinyl, has a new configuration and sequence from previous iterations, and features unseen images and new notes from band members compiled and curated by Rory Sullivan-Burke.
Mixed & mastered by Jake Viator at the legendary Stones Throw Studios in Los Angeles,this album is the culmination of 6 years of life, adventures and exploration and contains 11 songs, composed between 2016-2020. Recorded in different analog studios across France and self recorded at home on the comfort of a 4 track cassette recorder live with the band or alone with the microphone, but always with will and devotion to create intimate and organic songs. From 70's psych-rock to 90's indie guitars or even folk, Gaétan Nonchalant's first album is a fresh take on French chanson that testifies to the vitality of this new generation of underground pop musicians in France.
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