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The deep electric rainforest sound atmospheres that the listener will hear on this record was the tip of the iceberg of a rich and elaborate work process. For over 30 years, Norbert Möslang has made installations, sound performances, and music records that are deeply involved in the hidden world of vibrations to convert them into loud sounds and thick textures. Living simultaneously in spheres of inside/outside, micro-vibrations, spatial structures, underground music venues, art galleries, underwater, glass windows, body movement, precise equalizers, insects, microcosms, and electronic devices, Möslang constructs fascinating, untrammeled worlds of both philosophical and physical power. InchI attempted a Voice Crack gig when I was 21 at an experimental noise festival in Fribourg... Möslang and Voice Crack opened to me both the ways to experimental noise music as well as sound art performance. When looking through the rear-view mirror, it's clear that in the late '70s/early '80s, there weren't many artists working with harsh noise - a list of the classics includes The New Blockaders, Whitehouse and Throbbing Gristle in the UK; Hijokaidan, Merzbow, Incapacitants in Japan; NON, The Haters in the States, among only a few others. Since the break up of Voice Crack in 2002, Norbert Möslang enlarged his practice to cover all noise and experimental practices, from lo-fi 'Everyday-Cracked-Electronics, ' saturation/overdrive work, performance and improvisation, field recordings and multi layered ambient noise composition. Through interconnecting, heterogeneous everyday objects; linking the outside sound environment into a quiet art museum by fixing microphones to it's windows; filming the underwater Venice canal in order to set off neverending imagery flux, allowing a movie to play it's own soundtrack by triggering photo-sensors, Möslang proves to our entire nervous system that t
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The deep electric rainforest sound atmospheres that the listener will hear on this record was the tip of the iceberg of a rich and elaborate work process. For over 30 years, Norbert Möslang has made installations, sound performances, and music records that are deeply involved in the hidden world of vibrations to convert them into loud sounds and thick textures. Living simultaneously in spheres of inside/outside, micro-vibrations, spatial structures, underground music venues, art galleries, underwater, glass windows, body movement, precise equalizers, insects, microcosms, and electronic devices, Möslang constructs fascinating, untrammeled worlds of both philosophical and physical power. InchI attempted a Voice Crack gig when I was 21 at an experimental noise festival in Fribourg... Möslang and Voice Crack opened to me both the ways to experimental noise music as well as sound art performance. When looking through the rear-view mirror, it's clear that in the late '70s/early '80s, there weren't many artists working with harsh noise - a list of the classics includes The New Blockaders, Whitehouse and Throbbing Gristle in the UK; Hijokaidan, Merzbow, Incapacitants in Japan; NON, The Haters in the States, among only a few others. Since the break up of Voice Crack in 2002, Norbert Möslang enlarged his practice to cover all noise and experimental practices, from lo-fi 'Everyday-Cracked-Electronics, ' saturation/overdrive work, performance and improvisation, field recordings and multi layered ambient noise composition. Through interconnecting, heterogeneous everyday objects; linking the outside sound environment into a quiet art museum by fixing microphones to it's windows; filming the underwater Venice canal in order to set off neverending imagery flux, allowing a movie to play it's own soundtrack by triggering photo-sensors, Möslang proves to our entire nervous system that t

Limited 180gm vinyl LP pressing in gatefold jacket. The 50th anniversary edition of the original studio album remastered by James Guthrie comes in a gatefold jacket with posters and stickers. Album Tracks 1. Speak to Me 2. Breathe (In the Air) 3. On the Run 4. Time 5. The Great Gig in the Sky 1. Money 2. Us and Them 3. Any Colour You Like 4. Brain Damage 5. Eclipse

Aerosmith - InchGreatest HitsInch - THE ULTIMATE GREATEST HITS CELEBRATING 50 YEARS OF AEROSMITH! 20 tracks spanning their five-decade career on standard weight black vinyl (2 LP). Featuring InchDream On,Inch InchWalk This Way,Inch InchSweet Emotion,Inch InchCrazy,Inch InchCryin',Inch InchI Don't Want To Miss A ThingInch and many more! Album Tracks 1. Mama Kin 2. Dream on 3. Same Old Song and Dance 4. Seasons of Wither 5. Walk This Way 1. Sweet Emotion 2. Back in the Saddle 3. Draw the Line 4. Dude (Looks Like a Lady) 5. Angel 1. Rag Doll [Live] 2. Water Song/Janie's Got a Gun 3. What It Takes 4. Love in An Elevator 5. Crazy 1. Livin' on the Edge 2. Cryin' 3. Pink 4. I Don't Want to Miss a Thing 5. Jaded
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