Iron and Wine & Ben Bridwell - Making Good Time - VINYL LP

A nostalgic and varied Christmas compilation, not only for the holidays, either dance-able or dreamy with a mixture of swing and jazz, rhythm & blues and crooner pop!Bear Family's latest edition of 'Season's Greetings' for 2020!Nostalgic Christmas with 14 Lindy Hop-Jitterbug-Boogie-Jive and Easy Listening rarities of the years 1947-1962!Among them the title song Christmas Ball, as well as the B-side of the rare 1951 Coral single of the Georgie Auld Orchestra with the great singer Bill Darnel!Knuckles O'Toole & The Brigadiers' version of Jingle Bells is also included, as well as New Year's goose bumps classic Auld Lang Syne in the worn version by Guy Lombardo, and the famous version of the classic Sleigh Ride in the interpretation of orchestra leader Leroy Anderson, also known from the movie 'Polar Express'!Besides The Andrews Sisters there are more ladies with their great voices, above all the stunning Dinah Washington, the crooner lady Dorothy Collins and last but not least Kay Martin, with InchCome on Santa, Let's Have a BallInch. Joined by Jerry Lewis, a comedian and movie star from Hollywood's golden era, with a really rare recording!Also available as CD (BCD17611) - with bonus tracks!With this compilation we want to give more exuberance to the celebration of love, even if some songs are nostalgic and dreamy and you might even feel taken back to your own childhood. This Christmas disc invites you to the Christmas ball, to dancing, to swinging, to contemplation and exuberance among family members, friends, like-minded people and guests. This music brings glamour into every hut, with all the candles, lights and crackling stoves, while it's snowing and stormy outside

Mazy Fly, the second full-length by the Bay Area artist SPELLLING, explores the tension between the thrill of exploring the unknown and the terror of imminent destruction. Chrystia Cabral spent the summer of 2018 in her Berkeley studio reflecting on the thresholds of human progress and longing for a new and better tomorrow. She was struck by the way the same technologies that have given humans the ability to achieve utopian dreams of discovery have also brought the world to the precipice of dystopic global devastation. Despite the darkness of this reality, Mazy Fly is defiantly optimistic. It is a celestial voyage into the unknown, piloted by Cabral. Mazy Fly musically traverses the spaces between languid, honey-soaked vocals and distant angelic whispers, from thumping 808 club beats to crunching tape loops, and from silky, smooth R&B to whirling organ sonatas. Cabral became enamored by the idea of flight as a harbinger of both progress and apocalypse, and that was expressed in the textures and compositional techniques she utilized. Swarms, flocks, flies, angels, spaceships, flying saucers - all are represented sonically by Cabral and her Juno-106 synthesizer.

Vinyl LP pressing including . 2017 . Beast Epic, Iron & Wine's fourth album of new material for Sub Pop and it's sixth overall, recasts soft power as a series of vignettes, observations and regular old songs that redeem through joy and a certain expectation of grace. Sam Beam has called Beast Epic his Inchmost personalInch album to date. It is the first Iron & Wine album that he's produced since The Creek Drank The Cradle, though the results are vastly different. This album brims with surprise flourishes, classic touches and an appealing confidence that is evident on songs like InchCall It Dreaming.Inch After a decade and a half of prodigious expression and exploration, recording as both Iron & Wine and eponymously, Sam Beam confessed that he has finally figured out how to make records. Iron & Wine's Beast Epic was written and produced by Sam Beam, and recorded and engineered by Tom Schick at the Loft in Chicago in July 2016 and January 2017. The musicians who played on Beast Epic include longtime Iron & Wine collaborators Robert Burger (keys), Joe Adamik (percussion), and Jim Becker (guitar, banjo, violin, mandolin), along with bassist Sebastian Steinberg (Soul Coughing and Fiona Apple), and Chicagoan Teddy Rankin Parker (cello). Beast Epic was mastered by Richard Dodd in Nashville, Tennessee.