Itzhak Perlman - Paganini: Violin Concerto No. 1 & Sarasate: Carmen Fantasy - VINYL LP
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Itzhak Perlman, born in 1945, is the supreme violinist of his time. In works composed by Nicolò Paganini and Pablo de Sarasate - two virtuosi who in their own eras defined the art of the violin - Itzhak Perlman, in the recording that launched his Warner Classics catalogue, offers both dazzling brilliance and enticing lyricism.
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- GenreClassicalDescriptionItzhak Perlman, born in 1945, is the supreme violinist of his time. In works composed by Nicolò Paganini and Pablo de Sarasate - two virtuosi who in their own eras defined the art of the violin - Itzhak Perlman, in the recording that launched his Warner Classics catalogue, offers both dazzling brilliance and enticing lyricism.ArtistItzhak PerlmanTitlePaganini: Violin Concerto No. 1 & Sarasate: Carmen FantasyFormatVINYLLabelWarner Classics
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Itzhak Perlman, born in 1945, is the supreme violinist of his time. In works composed by Nicolò Paganini and Pablo de Sarasate - two virtuosi who in their own eras defined the art of the violin - Itzhak Perlman, in the recording that launched his Warner Classics catalogue, offers both dazzling brilliance and enticing lyricism.

Vinyl LP pressing. Warner Classics continue releasing iconic recordings of the core catalog in their original cover artwork on LP to benefit from the booming vinyl market. Heroic, dramatic, reflective and joyous, Brahms's Violin Concerto, written for the great Joseph Joachim, a close friend of the composer, is one of the monuments of the Romantic repertoire. In a performance of epic sweep, Itzhak Perlman and Carlo Maria Giulini do full justice to it's ambitions. This record has been regarded at the time it was released as Inchone of the greatest Brahms recordings of all timeInch (Guide Diapason). 40 years after it's original , it remains an absolute must-have, and a reference recording of the Brahms Concerto. It also benefits from the 24-BIT/96kHz remastering done at Abbey Road in 2015.

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Double vinyl LP pressing. Emerging triumphant in consistent and spectacular fashion, Itzhak Perlman - always a perceptive musician - also tells a captivating story with every piece. Ever since they were first published in Milan in 1820, the 24 Caprices of Niccolò Paganini have been regarded as the ultimate challenge for any virtuoso violinist. They are provocatively dedicated Agli artisti ('To the artists'), but few of Paganini's contemporaries were able to tackle the multiple technical demands inherent in the most astounding solo violin works yet written. In the 20th century, even allowing for the development of instrumental technique, the advent of modern recording technology and it's editing facilities, few performers in our own age have been brave enough to commit all 24 of the Caprices to disc. The legendary Jascha Heifetz recorded only three, Yehudi Menuhin only six. The Italian maestro Ruggiero Ricci, a life-long advocate of Paganini's music, was the first to set down all 24 on record. But it was Israeli-born Perlman in 1972, then aged 26, who was to make the definitive recording. Almost half a century later, Perlman's recording remains the benchmark by which all others are measured.
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