J. Rodrigo - Guitar Music 1 - COMPACT DISCS [CD]
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Joaquin Rodrigo, composer of the celebrated guitar concerto, Concierto de Aranjuez, is acknowledged as one of the great Spanish composers of the twentieth century.
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- GenreClassicalDescriptionJoaquin Rodrigo, composer of the celebrated guitar concerto, Concierto de Aranjuez, is acknowledged as one of the great Spanish composers of the twentieth century.ArtistJ. RodrigoTitleGuitar Music 1FormatCDLabelNaxos
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Joaquin Rodrigo, composer of the celebrated guitar concerto, Concierto de Aranjuez, is acknowledged as one of the great Spanish composers of the twentieth century.
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Rodrigo's music for solo guitar is not extensive but represents an important pillar of the repertoire, ranging from vignettes to sonatas over a six-decade period. The 1933 Toccata was rediscovered in 2005 and has since provided an ambitiously virtuosic vehicle for today's guitarists. Rodrigo flecked his works with elements of fantasy, flamenco and bird song while Un tiempo fue Itilica famosa, one of his very greatest works in the genre, is superbly impassioned. The tender Pastoral, originally for piano, is here transcribed for guitar by Jeremy Jouve whose first volume in this series (8.570286) received a three-star review (InchThe young French guitarist plays brilliantlyInch) in the Penguin Guide.

Death and Vanilla return with 'Flicker', presenting their unique pop music that defies categorisation. Housed in a beautifully austere post-ironic de-constructed sleeve; 'Flicker' is a modern reflection on these difficult times. World crises notwithstanding, they return reborn, re-arranged and revitalised after assimilating dub reggae, the motorik spirals of Can, the modal meander of Philip Glass and The Cure's dreamier pop sounds; plus the twice removed symphonic ambience of Spiritualized and Talking Heads under heavy manners from Brian Eno. By osmosis their period of transition since 2019's much darker 'Are You A Dreamer?' has hatched new eclectic electronica anthems riddled with melody lines, and layered for rich love.Forming in Malmö, Sweden, Death And Vanilla gravitated towards vintage musical equipment; from vibraphone, organ and mellotron, to tremolo guitar and Moog synthesisers. Soaking up soundtracks from the 60s and 70s, listening to library music, kosmiche, French Ye-ye pop and 60s psych, Marleen Nilsson, Anders Hansson and Magnus Bodin were fashioned by the city's austere industrial past and flat pack present, and all in the shadow of the Orsesund Bridge that links their dreamworld to mainland Europe and a darker reality.Death And Vanilla at once sound like everything is possible; but nothing else at all. There is a flicker of hope for everyone.InchDeploying vintage instruments in their quest for melancholic utopia.Inch Electronic SoundInchBaroque pop through a dreampop filter.Inch The GuardianA1. Out For MagicA2. Baby SnakesA3. Find Another IllusionA4. Perpetuum MobileB1. Looking GlassB2. Mercury's RisingB3. FearlessB4. Transparent ThingsB5. Perpetuum Reprise
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Born in 1979, Jeremy Jouve began his concert career at the age of eleven when he gave a performance of the Vivaldi Guitar Concerto at Chambery Cathedral.
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