Jack White - Love Interruption / Machine Gun Silohouette - 7-INCH SINGLE [7 inch Vinyl Disc]

It was well known in Nordic traditions that the voice holds magical power. With their debut album InchAt the Sound of the HeartInch, a collective of renowned musicians from the west coast of Norway explores and embodies these ancient ways. All band members brought a part of their own background to Whispering Void The distinctive voices of WARDRUNA vocalist Lindy-Fay Hella and her male counterpart Kristian InchGaahlInch Espedal spellbind the listener with an enormous range of techniques and sounds. Guitarist Ronny Stavestrand and ENSLAVED drummer Iver Sandoy combine ambient, psychedelic prog, and rock with notes of dark folk and metal on InchAt the Sound of the HeartInch into something essentially Nordic but extending beyond already explored dimensions. The creative spark that lit the fire of Whispering Void burning came from a long time of creating new music by Ronny Stavestrand. The guitarist had shared many years in the legendary underground black metal act TRELLDOM with outstanding vocalist Kristian InchGaahlInch Espedal, who rose to fame with GORGOROTH and has meanwhile also established GAAHLS WYRD as a channel for his creativity. Therefore, it was only natural that Stavestrand asked Espedal to contribute to Whispering Void - to which the latter chose to agree. While exploring new musical territories together, the need for a female voice arose. Having been part of WARDRUNA in the early years, Espedal was quick to note that vocal powerhouse Lindy-Fay Hella with her characteristic voice and unique contributions, which she has also shared in her own projects, was the perfect match for Whispering Void. Hella was duly invited and luckily heeded the call. The quartet was completed by Iver Sandoy on battery and bass, who had put his impeccable musical sensitivity and timing into the service of ENSLAVED some years back but already made himself a name with the progressive

Jack White - Lazaretto / Power of My Love [7-INCH SINGLE] date 06/10/2014

Son Little's album is, in it's purest form, American music. The artist formerly known as Aaron Livingston knows his nation and it's sounds well. He was born to a preacher and a teacher in Los Angeles, where he learned how to listen and how to play before moving east to New York and New Jersey. He dropped in and out of schools and scenes in Manhattan then Philadelphia, and there he collaborated with acts like The Roots and RJD2. He first planted his flag as Son Little with 2014's highly praised EP, Things I Forgot, a small collection of big songs that showcased his ability to hop across genres as well as he does state lines. The songs on Son Little follow suit, they teem with small moments creating a bigger picture, a pointillist art piece made from junkyards and viewed from space. Pulling inspiration from the color wheel diaspora of American music, Son Little draws from a deep well, using different buckets to visit and revisit, finding flourishes to add to the core of his songs. There, at the end of InchDoctor's In,Inch is a roving banjo; there, at the start of InchGo Blue Blood Red,Inch is a keyboard riff culled from a kid's Blue Man Group keyboard; there, in InchCarbon,Inch is an electric Howlin' Wolf stomp and start. For Son Little, studio time is a joy, where every good idea leads to four more.