Jan Schulte-Bunert - Escapades - VINYL LP

Folk music has a bad habit of being presented as a deathlyserious concern. It's something you cry to, it's overly sacred, it'ssolemnly considered by critic-historians. But Folk B*tch Trio, formerhigh school friends Heide Peverelle (they/them), Jeanie Pilkington(she/her) and Gracie Sinclair (she/her), have a shared sense of humourthat is embedded deep in their music, and that sets it alight, safefrom the self-serious traps of the genre.Now Would Be A Good Time, their debut album, tells vivid,visceral stories, and is funny and darkly ironic in the manner of writerslike Mary Gaitskill or Otessa Moshfegh. Their music sounds familiar,but the songs are modern, youthful, singing acutely throughdissociative daydreams and galling breakups, sexual fantasies andmedia overload, all the petty resentments and minor humiliations ofbeing in your early twenties in the 2020s.InchCathode RayInch opens with caution, it's first harmoniesarriving in big, looping sighs. It's vulnerable but a little menacing, witha wide open chorus and a spacious, airy beat anchoring everything.InchMoth SongInch, a song about unrequited love and Inchbeing so spun out byeverything that you feel like you're delusional and hallucinating crazythings,Inch forms the album's spare centrepiece, Anita Clark's undulatingviolin part drifting in and out of focus as if from a dream.Other songs aren't as oblique, instead chronicling brutallyfamiliar moments at the end of relationships The tense, emotionallyvolatile torch song InchThe ActorInch, says Peverelle, is about Inchgoing to yourpartner's one-woman show and then getting broken up withInch. InchHotelTVInch, a hypnotic, late-night reverie, is about Inchhaving a S*x dream aboutsomebody else while next to your partner, and your partner being aliar,Inch explains Pilkington.The strongest link between the trio, aside from friendship, ismusic. InchWe all talked about lovi

Double vinyl LP pressing. Digitally restored live archive . The Doors supplied plenty of post-Independence Day fireworks on July 5, 1968 when the legendary quartet played the Hollywood Bowl, a concert that is considered to be the band's finest on film. For the first time, the film from the historic performance has been painstakingly restored using the original camera negatives and the audio has been remixed and mastered from original multi-tracks by the group's engineer Bruce Botnick. Live at the Bowl '68 includes three previously unreleased tracks from the performance. Technical issues with the recording of InchHello, I Love You, Inch InchThe WASP (Texas Radio And the Big Beat), Inch and InchSpanish CaravanInch prevented them from being released in the past. Now, through meticulous restoration of the audio, all three will be included, marking the first time the concert has been available in it's entirety. Album Tracks 1. Start Show/Intro 2. When the Music's Over 3. Alabama Song (Whiskey Bar) 4. Back Door Man 5. Five to One 6. Back Door Man (Reprise) 7. The Wasp (Texas Radio and the Big Beat) 8. Hello, I Love You 9. Moonlight Drive 10. Horse Latitudes 11. A Little Game 12. The Hill Dwellers 13. Spanish Caravan 1. Hey, What Would You Guys Like to Hear? 2. Wake Up! 3. Light My Fire 4. Light My Fire (Segue) 5. The Unknown Soldier 6. The End (Segue) 7. The End

This groundbreaking project celebrates the centennial birthday of B.B. King, honoring his monumental legacy with a one-of-a-kind Collaboration Album. The album will feature a double album worth of curated tracks of B.B. King's most iconic songs, recorded/tracked by Blues Rock Icon Joe Bonamassa and his all-star band, with production led by 2-time Grammy-nominated producers Joe Bonamassa and Josh Smith. The reimagined tracks will include a stellar lineup of guest musicians from both contemporary and legacy backgrounds that will unite multiple generations and genres to pay tribute to the King of Blues with 32 tracks and including 40 special guests!Working directly with B.B. King's estate, this project is deeply personal to Joe, reflecting his lifelong admiration for B.B. and the profound impact B.B. had on his career and life. Joe's connection with B.B. began in 1989 when, as a 12-year-old prodigy, he had the life-changing opportunity to open for Mr. King. Over the years, their friendship grew as they toured together on dozens of occasions, cementing a bond that Joe cherishes to this day. 180g 3xLP Black Vinyl in Gatefold Jacket with 20-page booklet and download card. Album Tracks 1. Paying the Cost to Be the Boss (FT. Christone InchKingfishInch Ingram) 2. Don't Answer the Door (FT. Marcus King) 3. To Know You Is to Love You (FT. Michael McDonald, Susan Tedeschi, Derek Trucks) 4. Let the Good Times Roll (FT. Kenny Wayne Shepherd, Noah Hunt) 5. Sweet Little Angel (FT. Buddy Guy) 6. When It All Comes Down (I'll Still Be Around) (FT. Larry McCray) 7. When Love Comes to Town (FT. Slash, Shemekia Copeland, Myles Kennedy) 8. The Thrill Is Gone 9. Watch Yourself (FT. Jimmie Vaughan) 10. Why I Sing the Blues (FT. Bobby Rush) 1. Sweet Sixteen (FT. Jimmy Hall, Larry Carlton) 2. Don't You Want a Man Like Me (FT. Larkin Poe) 3. I'll Survive (FT. Keb' M