Jean-Efflam Bavouzet - Mozart: Piano Concertos, Vol. 12 - COMPACT DISCS [CD]
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Jean-Efflam Bovouzet's acclaimed cycle of Mozart's piano concertos reaches it's conclusion with this twelfth volume. The programme offers a suitably celebratory mood the Overtures to Idomeneo and La finta semplice frame the A major and D major Rondos for piano and orchestra and the Concerto for three pianos, and ends with the double piano concerto. Bavouzet comments InchAs one reaches the conclusion of a series of recordings that has stretched over a long period of time, the feeling of fulness at having arrived at one's goal always blends with an immediate sense of nostalgia for the recording sessions, marvellous moments engaged in the search for a truth that always remains beyond reach. After a span of nine years, we arrive at the end of this complete recording project with the devoted members of Manchester Camerata and my friend Gábor Takács-Nagy. Gábor's plan to combine them with operatic overtures was certainly most appealing, but the task of playing the entirety of this enormous corpus of concertos seemed to me gigantic! And then a few considerations very quickly made me conscious that a rare opportunity now presented itself to me, which it would have been ill-advised to pass up this intense musical fellowship with Gábor and the joy of making music with him, the excellence of the members of Manchester Camerata and their untiring energy and suppleness in accepting our continual musical 'experimentations', and, finally, the wonderful chance for once in my life to have at my side a born, inspiring Mozartian, my wife, Andrea Nemecz.Inch
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- GenreClassicalDescriptionJean-Efflam Bovouzet's acclaimed cycle of Mozart's piano concertos reaches it's conclusion with this twelfth volume. The programme offers a suitably celebratory mood the Overtures to Idomeneo and La finta semplice frame the A major and D major Rondos for piano and orchestra and the Concerto for three pianos, and ends with the double piano concerto. Bavouzet comments InchAs one reaches the conclusion of a series of recordings that has stretched over a long period of time, the feeling of fulness at having arrived at one's goal always blends with an immediate sense of nostalgia for the recording sessions, marvellous moments engaged in the search for a truth that always remains beyond reach. After a span of nine years, we arrive at the end of this complete recording project with the devoted members of Manchester Camerata and my friend Gábor Takács-Nagy. Gábor's plan to combine them with operatic overtures was certainly most appealing, but the task of playing the entirety of this enormous corpus of concertos seemed to me gigantic! And then a few considerations very quickly made me conscious that a rare opportunity now presented itself to me, which it would have been ill-advised to pass up this intense musical fellowship with Gábor and the joy of making music with him, the excellence of the members of Manchester Camerata and their untiring energy and suppleness in accepting our continual musical 'experimentations', and, finally, the wonderful chance for once in my life to have at my side a born, inspiring Mozartian, my wife, Andrea Nemecz.InchArtistJean-Efflam BavouzetTitleMozart: Piano Concertos, Vol. 12FormatCDLabelChandos
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Jean-Efflam Bovouzet's acclaimed cycle of Mozart's piano concertos reaches it's conclusion with this twelfth volume. The programme offers a suitably celebratory mood the Overtures to Idomeneo and La finta semplice frame the A major and D major Rondos for piano and orchestra and the Concerto for three pianos, and ends with the double piano concerto. Bavouzet comments InchAs one reaches the conclusion of a series of recordings that has stretched over a long period of time, the feeling of fulness at having arrived at one's goal always blends with an immediate sense of nostalgia for the recording sessions, marvellous moments engaged in the search for a truth that always remains beyond reach. After a span of nine years, we arrive at the end of this complete recording project with the devoted members of Manchester Camerata and my friend Gábor Takács-Nagy. Gábor's plan to combine them with operatic overtures was certainly most appealing, but the task of playing the entirety of this enormous corpus of concertos seemed to me gigantic! And then a few considerations very quickly made me conscious that a rare opportunity now presented itself to me, which it would have been ill-advised to pass up this intense musical fellowship with Gábor and the joy of making music with him, the excellence of the members of Manchester Camerata and their untiring energy and suppleness in accepting our continual musical 'experimentations', and, finally, the wonderful chance for once in my life to have at my side a born, inspiring Mozartian, my wife, Andrea Nemecz.Inch
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This 11th volume completes the juvenile concertos with these three concertos from 1771/2, all re-writes of sonatas by J.C. Bach. Bach had been something of a mentor to Mozart whilst they were living in London (1764-65) and these three concertos not only draw on Bach's thematic material, but are very much in the gallant style of which Bach was a leading proponent. Making these sonatas into concertos presented Mozart with numerous challenges, as both forms had relatively strict conventions that were markedly different. Mozart overcomes these challenges with great imagination and lightness of touch. The Overture to Mitridate was composed for the Duke of Lombardy in 1770 when Mozart was 14, and just a year before the concertos. The opera was a great hit, and consequently Mozart was commissioned by Empress Maria Theresa to write a serenata for the wedding of her son Archduke Ferdinand. Ascanio in Alba was the result. Mozart started the comedy Lo sposo deluso in 1785, but only composed 5 numbers including the Overture heard here. The five pieces written for Thamos, Konig in agypten represent the only set of incidental music that Mozart composed for the theatre.
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