Jen Jand - Piano Sonatas 6 - COMPACT DISCS [CD]

Laurent Petitgirard's eclectic career as a composer of lyrical and intensely French symphonic music, operas and chamber music is matched by conducting activities at the highest level- experience that accounts for the colorful richness of his orchestration. The rhapsodic concerto Etats d'ame explores the saxophone's vocal expressiveness. Of the three symphonic poems Le Marathon is an allegory in which the runners represent birth, love and death, while Flaine is a poignant and inspiring journey through art and culture. InchAnyone enjoying accessible contemporary music will find much to enjoy here.Inch (MusicWeb International on Petitgirard's Concertos for String Instruments)

Bart k' early piano works demonstrate his Lisztian flair as a virtuoso pianist, and nowhere more so than the ambitious Study for the Left Hand, the first of his Four Piano Pieces.

Schubert's Sonata in A major, D. 664, published posthumously in 1829 as Opus 120, has been plausibly dated to 1819, the year of the Trout Quintet. In the summer of that year Schubert had accompanied Vogl on his annual excursion to his native Steyr. There his acquaintance with Sylvester Paumgartner led to the composition of the quintet, making use of Schubert's song Die Forelle (The Trout), that Paumgartner much admired. It has been suggested that the Sonata in A major, which reflects much the same mood of delight in the Styrian countryside, is to be identified with a sonata written for the pianist Josefine von Koller, whom he met on the occasion of this first visit to Steyr. The first movement, with it's song-like principal theme, breathes the air of the country, it's serenity only briefly broken in the central development. The D major andante opens with some harmonic ambiguity, implicit in the principal theme, but any passing sadness is dispelled in the final Allegro. The so-called Wanderer Fantasia, the Fantasia in C major, Opus 15, D. 760, was written in November 1822 and published the following year. It was dedicated to Emmanuel, Edler von Liebenberg de Zsettin, a well-to-do pupil of Mozart's pupil Hummel. The popular name of the Fantasia, The Wanderer, is taken from the 1816 song of that name, a setting of words by Schmidt von Lübeck, the theme of which is varied in the slow movement of the Fantasia, a massive four-movement structure. The first movement of the Fantasia starts with a dactylic rhythmic figure, found so often in the music of Schubert. A subsidiary thematic element derived from this appears in the unexpected key of E major, with a further derivative in B flat, before still remoter keys are explored. The movement closes after preparing the new key of C sharp minor for the following adagio and the song-theme from which the Fantasia has taken it's name.