Jerry Lee Lewis - The Greatest Live Show On Earth - VINYL LP
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After Jerry Lee Lewis' sensational successes in the 1950s for the SUN Records tag, things had quietened down for 'The Killer'. In 1958, the media and fans condemned his marriage to his underage cousin. In the spring of 1964, he toured the UK and Germany, playing in small clubs accompanied by local bands. In Hamburg, his energetic performance at the 'Star-Club' was recorded and released on LP - ranked 16th in Rolling Stone's 2015 list of the '50 Greatest Live Albums of All Time'! Just a few months later, on July 18, 1964, Jerry Lee Lewis performed at the 'Municipal Auditorium' in Birmingham, Alabama, in front of 15, 000 enthusiastic fans. Accompanied by his US tour band at the time, which later called itself The Memphis Beats (with James Hutcheson - guitar, Larry Nichols - organ, Herman Hawkins - bass guitar, and Morris Tarrant - drums), the 29-year-old pianist and singer set the stage on fire! Similar to the Nashville Teens in Hamburg, the Memphis Beats in Birmingham struggled to keep up with this burst of unbridled energy. The Star-Club album may sound a little more straightforward, but otherwise 'The Greatest Live Show On Earth' is quite comparable to the legendary record from Hamburg, pounding piano, raunchy and raucous vocals, great backing.
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- GenreRockDescriptionAfter Jerry Lee Lewis' sensational successes in the 1950s for the SUN Records tag, things had quietened down for 'The Killer'. In 1958, the media and fans condemned his marriage to his underage cousin. In the spring of 1964, he toured the UK and Germany, playing in small clubs accompanied by local bands. In Hamburg, his energetic performance at the 'Star-Club' was recorded and released on LP - ranked 16th in Rolling Stone's 2015 list of the '50 Greatest Live Albums of All Time'! Just a few months later, on July 18, 1964, Jerry Lee Lewis performed at the 'Municipal Auditorium' in Birmingham, Alabama, in front of 15, 000 enthusiastic fans. Accompanied by his US tour band at the time, which later called itself The Memphis Beats (with James Hutcheson - guitar, Larry Nichols - organ, Herman Hawkins - bass guitar, and Morris Tarrant - drums), the 29-year-old pianist and singer set the stage on fire! Similar to the Nashville Teens in Hamburg, the Memphis Beats in Birmingham struggled to keep up with this burst of unbridled energy. The Star-Club album may sound a little more straightforward, but otherwise 'The Greatest Live Show On Earth' is quite comparable to the legendary record from Hamburg, pounding piano, raunchy and raucous vocals, great backing.ArtistJerry Lee LewisTitleThe Greatest Live Show On EarthFormatVINYLLabelBear Family
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After Jerry Lee Lewis' sensational successes in the 1950s for the SUN Records tag, things had quietened down for 'The Killer'. In 1958, the media and fans condemned his marriage to his underage cousin. In the spring of 1964, he toured the UK and Germany, playing in small clubs accompanied by local bands. In Hamburg, his energetic performance at the 'Star-Club' was recorded and released on LP - ranked 16th in Rolling Stone's 2015 list of the '50 Greatest Live Albums of All Time'! Just a few months later, on July 18, 1964, Jerry Lee Lewis performed at the 'Municipal Auditorium' in Birmingham, Alabama, in front of 15, 000 enthusiastic fans. Accompanied by his US tour band at the time, which later called itself The Memphis Beats (with James Hutcheson - guitar, Larry Nichols - organ, Herman Hawkins - bass guitar, and Morris Tarrant - drums), the 29-year-old pianist and singer set the stage on fire! Similar to the Nashville Teens in Hamburg, the Memphis Beats in Birmingham struggled to keep up with this burst of unbridled energy. The Star-Club album may sound a little more straightforward, but otherwise 'The Greatest Live Show On Earth' is quite comparable to the legendary record from Hamburg, pounding piano, raunchy and raucous vocals, great backing.
Jerry Lee Lewis - ORG Music Vinyl LP?. Originally released 1958 by Sun Record Company.
Atmosphere and gravity lean into each other. They are simultaneously expansive, and anchoring. They hold us, and lend a sense of perspective. They provide a stability and a knowingness which is essential in the absolute, and yet we can't help but find ourselves gazing upward, outward and reaching towards that which sits outside those things and ways we know. Selene is a record about that this lingering desire for that which sits beyond. It is work that seeks new perspectives snatched from familiar vistas, and it meditates on that sense of anchor and perspective. The work is also a speculative hymn to the visions of the celestial zones that spill ever outward. These visions, once merely what we could perceive with the naked eye are now so much more. Our minds eye is fed in equal parts by radio telecopy, filmic dreams and fiction renders of a place most of us will never know first-hand. This recording ties into a linage that reaches back, while stretching forward. It is just one story of so many, told across places, across cultures, across generations. It sits in the in-between of before and after, and in that moment invites us to situate ourselves and lean into it.
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