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The myriad of stars that aligned to create Jerry Phillips' debut solo album, For The Universe, have been orbiting the rarified atmosphere of Memphis' Sam Phillips Recording Service-the namesake studio that Jerry's father built in the wake of his Sun Records success with Elvis Presley, Carl Perkins, Johnny Cash, and Jerry Lee Lewis-since it's doors opened in 1960. The fact that it took 64 years for those stars to fully align is more a testament to Jerry's own unwavering path than it is being the son of the man who unleashed rock 'n' roll on the world. The final piece of the puzzle fell into place when the studio acquired the original Spectra Sonics console from Stax Studio B, which had captured soul classics like Rufus Thomas' InchThe Funky ChickenInch and much of the Isaac Hayes catalog. InchJerry said, 'I want to be the first person to record on the Stax console at Phillips.'Inch When it came time for the Inchshakedown session,Inch Album coproducer Scott Bomar remembers, Inchwe liked the results and that was the beginning of the record. Jerry's recording method was a window into what it was probably like recording at Sun-very live, off-the-cuff, and unrehearsed. It all had a real spontaneous feel and spirit.Inch Most importantly, Jerry's method served the songs, a ten-track tour-de-force ranging from full-tilt rockers to slow-burning country soul, all rife with chord changes that bring the listener a smile of comfortable familiarity while simultaneously tugging at the heart strings. The driving guitar and horn-blasting InchNumber One GirlInch and it's tender tremolo and organ-flavored follow-up InchTreat Her Like She's MineInch -both of which could have been bookends of a post-Sun Jerry Lee Lewis album-set the stage for a Memphis-to-Muscle Shoals musical road map with enough tributaries to take in the West Texas tumbleweed vibe of InchBlack Widow Eyes,Inch the smolde
