Jethro Tull - Live From Baloise Session 2008 - VINYL LP

Recorded at night in an empty warehouse (while he worked at a men's homeless shelter during the day), Brother Dege's second album InchHow to Kill a HorseInch is a tour de force artwork that ranges from barn burners to ancient Delta meditations to Babylonian junkyard jams that explore the dark underbelly of what it is to be a man in the modern world. Influences include Ernest Hemingway, Joseph Conrad, Ry Cooder, Norman Mailer, Henry Miller, Sonic Youth, Black Sabbath, Blind Willie Johnson, Einstürzende Neubauten, Jackson Pollock and Don Quixote. Like Hemingway at his finest, InchHow to Kill a HorseInch goes deep into the prison rodeo of man's heart, confronting the darker, flawed side of the self while going full-aggro in the existential blast furnace of the modern world, wrestling with men's roles as providers, protectors, partners, lovers, warriors, peacekeepers, whatever. InchHow to Kill a HorseInch is a massive shot across the bow to riff heads, songwriters, and Americana enthusiasts around the world. It's a game changer that launches the whole mess of roots music out of the vinyl dustbins and into the 21st century.

Jethro Tull Bursting Out (Live) [Steven Wilson Remix] Breakouts from the Bursting Out (The Inflated Edition) remixed by Steven Wilson re-ordered back to it's original running order plus 3 tracks (including Heavy Horses and Living In The Past) that were not featured on the original LP back in 1978 because of time constraints. This 3LP version also includes 5 tracks recorded at Madison Square Gardens. Limited triple vinyl LP pressing.

Jethro Tull's 1970 classic Benefit was their third studio album in as many years, following the successes of This Was (1968) and Stand Up (1969).For Benefit, Ian Anderson (flute, guitars, vocals), Martin Barre (guitars), Glenn Cornick (bass), and Clive Bunker (drums) were joined by John Evan on piano and organ. Evan would go on to play on all of Jethro Tull's albums throughout the '70s. It was also the last to include Cornick, who was fired from the band upon completion of touring for the album. Recorded at Morgan Studios, where the band recorded Stand Up, the album featured more advanced studio techniques, such as a backward-recorded flute on 'With You There To Help Me' and a sped-up guitar on 'Play In Time.' Frontman Ian Anderson said Evan had changed the band's style 'John has added a new dimension musically and I can write more freely now. In fact anything is possible with him at the keyboard.'Compared to Stand Up, although containing a similar mix of bluesy hard-rockers and melodic acoustic numbers, Benefit had, as Ian Anderson put it, a 'harder, slightly darker feel' compared to previous material. The eclectic fusion of folk, rock, and progressive elements creates a sonic tapestry unlike any other.Anderson's virtuosic flute playing intertwines with Barre's electrifying guitar work, weaving intricate melodies that transport listeners to a world of introspection and imagination. From the hauntingly beautiful 'With You There to Help Me' to the whimsical energy of 'To Cry You a Song,' each track invites exploration of both the inner self and the world beyond.This Analogue Productions 45 RPM , plated and pressed at Quality Record Pressings, gives this historic album the rich sonic presentation it deserves. The dead-quiet double-LP, with the music spread over four sides of vinyl, reduces distortion and high frequency loss as the wider-spaced grooves let your stereo