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Double vinyl LP pressing housed in gatefold jacket. Includes bonus tracks. Grab your safety goggles and your hi-viz gear, because it's time to Drill a Hole in That Substrate And Tell Me What You See. Erstwhile druggie, drifter, storyteller, taxi-driver, recovering Pentecostal maverick from Pensacola, Florida. It's the 20th anniversary of Jim White's haunting outer space alt. Country classic that has a title so long nobody can remember the name of it. Featuring Aimee Mann, M. Ward, Bill Frisell and the Barenaked Ladies-to name a few of the artists here-this album quickly rose to cult status. Pitchfork gave it an 8. 1 and said, InchWhite has enough guest musicians on this to populate any number of small towns. Inch They also said, InchYou won't hear another record like it this year, possibly ever. What all these disparate elements that White pulls together add up to is White's alone, a style with no real name, American as barbecue sauce on apple pie. Inch Now it's on vinyl for the first time, pressed on Substrate Black in a gatefold jacket. And because he wasn't wordy enough the first time around, Jim's added THREE EXTRA TRACKS.

Like very nearly every worthwhile thing, making this album was not easy; it was a difficult second album to make. Drawing inspiration from folk/rock from about 1965 to 1973, and Van Morrisons ASTRAL WEEKS in particular, HELPLESSNESS BLUES sees Fleet Foxes heighten and extend themselves, adding instrumentation (clarinet, the music box, pedal steel guitar, lap steel guitar, Tibetan singing bowls, vibraphone, etc., along with more traditional band instrumentation), with a focus on clear, direct lyrics, and an emphasis on group vocal harmonies. We have it on good authority that the album is called HELPLESSNESS BLUES for at least a couple of reasons. One, it's kind of a funny title. Secondly, one of the prevailing themes of the album is the struggle between who you are and who you want to be or who you want to end up, and how sometimes you are the only thing getting in the way of that. Having heard HELPLESSNESS BLUES, we mean to get out of it's way. Album Tracks 1. Montezuma 2. Bedouin Dress 3. Sim Sala Bim 4. Battery Kinzie 5. The Plains/Bitter Dancer 6. Helplessness Blues 1. The Cascades 2. Lorelei 3. Someone You'd Admire 4. The Shrine/An Argument 5. Blue Spotted Tail 6. Grown Ocean

Limited vinyl LP repressing in gatefold jacket. Off the Wall is the fifth solo studio album by Michael Jackson. It was released on August 10, 1979, following Jackson's critically well-received film performance in The Wiz. While working on that project, Jackson and Quincy Jones had become friends, and Jones agreed to work with Jackson on his next studio album. Recording sessions took place between December 1978 and June 1979 at Allen Zentz Recording, Westlake Recording Studios, and Cherokee Studios in Los Angeles, California. Jackson collaborated with a number of other writers and performers such as Paul McCartney, Stevie Wonder and Rod Temperton. Five singles were released from the album. It was his first solo under Epic Records, the tag he would record on until his death roughly 30 years later. Album Tracks 1. Don't Stop 'Til You Get Enough 2. Rock with You 3. Workin' Day and Night 4. Get on the Floor 1. Off the Wall 2. Girlfriend 3. She's Out of My Life 4. I Can't Help It 5. It's the Falling in Love 6. Burn This Disco Out

Limited vinyl LP repressing in gatefold jacket. Thriller is the sixth solo studio album by Michael Jackson. It was released by Epic Records on November 30, 1982, as the follow-up to Jackson's critically and commercially successful 1979 album Off The Wall. Thriller explores similar genres to those of Off The Wall, including pop, post-disco, rock and funk. Recording sessions took place on April to November 1982 at Westlake Recording Studios in Los Angeles with a production budget of $750, 000, assisted by producer Quincy Jones. Seven singles were released from the album, all of which reached the Top 10 on the Billboard Hot 100. In just over a year, Thriller became-and currently remains-the best-selling album of all time, with estimated sales of 65 million copies worldwide. It has become the first album ever to be certified 32 times multi-platinum for U.S. sales, marking more than 32 million sales shipped. The album won a record-breaking eight Grammy Awards in 1984, including for Album of the Year. Album Tracks 1. Wanna Be Startin' Somethin' Jackson, Michael 6 03 2. Baby Be Mine Jackson, Michael 4 20 3. The Girl Is Mine Jackson, Michael with Paul McCartney 3 42 4. Thriller Jackson, Michael 5 58 1. Beat It (Single Version) Jackson, Michael 4 18 2. Billie Jean (Single Version) Jackson, Michael 4 53 3. Human Nature Jackson, Michael 4 05 4. P.Y.T. (Pretty Young Thing) Jackson, Michael 3 59 5. The Lady in My Life Jackson, Michael 4 57
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