Joe Pass - For Django - VINYL LP
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Limited 180gm vinyl LP pressing in gatefold jacket. For Django, recorded for Pacific Jazz in 1964, has long been considered a classic by jazz guitarist Joe Pass. He pays tribute to Django Reinhardt without attempting to emulate him in any way. Rather, he honors him by using his own style with fellow guitarist John Pisano as well as bassist Jim Hughart and drummer Colin Bailey. Highlights include InchRosetta,Inch InchNuages,Inch and InchFleur D' Ennui.Inch Blue Note Tone Poet Series features all-analog, remastered sound.
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- GenreJazzDescriptionLimited 180gm vinyl LP pressing in gatefold jacket. For Django, recorded for Pacific Jazz in 1964, has long been considered a classic by jazz guitarist Joe Pass. He pays tribute to Django Reinhardt without attempting to emulate him in any way. Rather, he honors him by using his own style with fellow guitarist John Pisano as well as bassist Jim Hughart and drummer Colin Bailey. Highlights include InchRosetta,Inch InchNuages,Inch and InchFleur D' Ennui.Inch Blue Note Tone Poet Series features all-analog, remastered sound.ArtistJoe PassTitleFor DjangoFormatVINYLLabelBlue Note Records
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Limited 180gm vinyl LP pressing in gatefold jacket. For Django, recorded for Pacific Jazz in 1964, has long been considered a classic by jazz guitarist Joe Pass. He pays tribute to Django Reinhardt without attempting to emulate him in any way. Rather, he honors him by using his own style with fellow guitarist John Pisano as well as bassist Jim Hughart and drummer Colin Bailey. Highlights include InchRosetta,Inch InchNuages,Inch and InchFleur D' Ennui.Inch Blue Note Tone Poet Series features all-analog, remastered sound.

Portraits of Duke Ellington is a 1975 album by jazz guitarist Joe Pass that pays tribute to the jazz legend Duke Ellington. The album was recorded just a month after Ellington's death and reached No. 37 on the Jazz Albums Chart.Featuring guitarist Joe Pass (just beginning to become famous), bassist Ray Brown, and drummer Bobby Durham, they are jamming on eight Ellington tunes and 'Caravan' (which was penned by one of Duke's key sidemen, Juan Tizol). AllMusic says 'The interplay between the three musicians is quite impressive, and Pass' mastery of the guitar is obvious (he didn't really need the other sidemen). Highlights include 'In a Mellow Tone, Don't Get Around Much Anymore,' and 'I Got It Bad (And That Ain't Good).'Mastered by Matthew Lutthans at The Mastering Lab from the original analog master tape, and pressed at Quality Record Pressings for optimal sound quality, this Analogue Productions 180-gram reissue is a must-have for jazz fans. Housed in a single pocket Stoughton Printing tip-on jacket.180-gram vinylMastered by Matthew Lutthans at The Mastering Lab from the original analog master tapePressed at Quality Record PressingsHoused in Stoughton Printing tip-on jacketTracklist Side 11. Satin Doll2. I Let A Song Go Out Of My Heart3. Sophisticated Lady4. I Got It Bad (And That Ain't Good)5. In A MellowtoneSide 21. Solitude2. Don't Get Around Much Anymore3. Do Nothin Till You Hear From ME4. Caravan
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Groovy Down Tempo/Nu Jazz for fans of Madlib. Velella Velella come from Seattle. They make music that's blissed out, tonal, enthusiastic and grooving. At their disposal is a mess of instruments drum machine, drum kit, snarly bass, 'tremmy' vibes, clean guitar lines, bassy Roland and overdriven Fafisa keyboards, drippy guitar washes, and on occasion vocals. This is a band that likes to settle into the song before they sing over it, and listeners are rewarded. Somewhere in this sonic mélange there are influences being pulled out of the hat The Sea And Cake, Out Hud, Stereolab but spending some time with the Bay of Biscay it becomes abundantly clear Velella Velella named after a jellyfish swims in it's own sea. 2007.

Joe Pass observed in his notes for this album that when he was a young man he determined that his ideal tenor saxophone companion would have a rich tone, harmonic wisdom, respect of the melody, and the will to swing. That figures; Pass was describing his own qualities, and in 1982 when the time came for the guitarist and Zoot Sims to record as a duo, it became clear after about six bars that this was a perfect artistic match.Pass was a supremely natural player whose solos swung from the first note. Sims was also in his later years a master of lyrical expression in ballads. His lyricism here, notably in 'Remember,' is complemented by his relaxed urgency in the faster pieces. Pass accompanies Sims beautifully and solos with his customary ingenuity.Mastered by Matthew Lutthans at The Mastering Lab from the original analog master tape. Pressed at Quality Record Pressings for superior sound quality, and housed in a Stoughton Printing tip-on single pocket jacket.180-gram vinylMastered by Matthew Lutthans at The Mastering Lab from the original analog master tapePressed at Quality Record PressingsHoused in a Stoughton Printing tip-on jacketTracklist Side 11. Blues For 22. Dindi3. Pennies From Heaven4. Poor ButterflySide B1. (Whad Did I Do To Be So) Black And Blue2. I Hadn't Anyone Till You3. Takeoff4. Remember
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